Dave Lizewski: [voiceover] In the world I lived in, heroes only existed in comic books. And I guess that'd be okay, if bad guys were make-believe too, but they're not.
Tom Reagan: Drop Johnson? He play your book much? Tad: Pssh! You kidding? I didn't even know he could count!
Suzy: These are my books. I like stories with magic powers in them. Either in kingdoms on Earth or on foreign planets. Usually I prefer a girl hero, but not always.
Roger Thornhill: We'll get them. We'll throw the book at them. Assault and kidnapping. Assault with a gun and a bourbon and a sports car. We'll get them.
[the Hitchhiker steals Bree's car] Toby: Oh shit! Bree Osbourne: My purse. My hormones! You dirty motherfucking hippie! Toby: My dog book was in that car.
Little Bill Daggett: [talking to English Bob, and refering to a book] That you here, Bob, on the cover? "The Duck of Death?" W.W. Beauchamp: Duke. It's the Duke. "Duke of Death."
John Book: [John has returned from town, Rachel is labeling freshly canned peaches, John returns his gun and bullets] Here. Don't put 'em in the peaches.
Mrs. Yoder: Everyone here has an idea about you and the Englishman Book. Rachel Lapp: [forcing a smile] All of them charitable, I'm sure. Mrs. Yoder: [straight-faced] Not one of them.
Paul Avery: What do you do for fun? Robert Graysmith: I love to read. Paul Avery: Mhmm. Robert Graysmith: Umm, I enjoy books. Paul Avery: Those are the same things.
Even the people who have had success and made money writing these books of fiction seem to feel the need to pretend it's no big deal, or part of a natural progression from poetry to fiction, but often it's really just about the money, the perceived p...
I used to do my own taxes. You know how you buy that gigantic sheet at Staples, add up the restaurants, clothes, and taxis and glue your receipts into the book month by month? The more money I made, the more complicated things got.
Simply as a writer of books I'm thrilled and proud that Seattle should have raised, on a public vote, sufficient money to build a central library, and moreover to rebuild every other library in the city: 28 of them.
My wife gave me a year to start making money out of writing, and after six months, I'd made not a bean. Suddenly, the books took off, and the beans started coming in!
We've patented the idea... of using the address book as a place to declare that you like a brand. By so doing, the brand has now got your permission to send you personal messages - it could be money off offers, coupons, promotions, just information, ...
When I was 16, the first book I ever actually purchased with my own money, in fact, and had read on my own time was 'Hunt for Red October' by Tom Clancy.
If you pay a child a dollar to read a book, as some schools have tried, you not only create an expectation that reading makes you money, you also run the risk of depriving the child for ever of the value of it. Markets are not innocent.
We're kidding on that. One of the things I insisted upon when we went into this project was that we are full partners, going fifty-fifty, both on the money and on the say of what's going on with the books.
They give me the money, I give them the book. Having input into the adaptation would be kind of like selling a house and coming back three years later and saying, 'Paint it this color!'
We had gone out on the road in 94 and 95 for a three month American tour, and we realised, as did our manager and booking agent at the time, that we have really exhausted it, and we can't make money at this anymore.
But I can tell you that the issue, on one side, boils down to money - a lot of money. And it boils down to people and their connections with this money, and that's the portion that, even with this book, has not been mentioned to this day.
Money is an unavoidable consequence, but it isn't the reason I write; if it was, I wouldn't have written any of the YA books, because advances in that field are small compared to what I'd got now for an 'adult' DW.
