There's a time and place for the Kindle, and I own one now and have books on it that I don't otherwise have. But I don't find that my hand reaches out for it the way it does for a trade paperback, or (in the middle of the night) for the iPod Touch.
I have two books that were published quite some time ago. I start to read about three sentences. I have to close it. I am so self-conscious. Who did I think I was?
A travel book is about someone who goes somewhere, travels on the ground, sees something and spends quite a lot of time doing it, and has a hard time, and then comes back and writes about it. It's not about inventing.
Successive generations of middle-class parents used to foist their own favourite books on their children. But some time in the late Eighties it began to wane - not because children had lost interest in adorable animals but because most of it was avai...
I do most of my reading on the train ride to and from work. But I always have a book in my handbag so that I can read at any time, anywhere.
I have no problem selling books to media franchises and we do it all the time. The author must understand that he/she is a writer for hire and has no control over copyright or over editorial changes made to the text.
That was the - It was an exciting time because it was as though I was sort of tied up in a paper bag or in a gunny sack with a rope around the neck of it, and all of a sudden with the acceptance of that first book everything sort of spilled out!
So, while I gave up the notions of publishing at that time, I never stopped editing and refining that book. A few years later, in 1987, I thought I had it ready to go out again.
Any time you read a book and get attached to the characters, to me it's always a shock when it goes from page to screen and it's not exactly what was in my head or what I was imagining it should be.
While reading 'David Copperfield' in the middle of the night - probably because of the light, I had insomnia for the first time - I looked out of the window and thought, 'If this is what books can do, this is what I want to do.'
I take time with each person and try to remember them, especially if they're a repeater from another event. I know a lot of authors just sign a book and keep their heads down, but I'm not like that.
The reason I was successful in launching my first book with bloggers is this: I assumed that I should spend as much time on a blogger with a million-person readership as I would pitching an editor of a publication with a million person subscription-b...
The further you go, what, I'm gonna wait til I'm 80? Naw, I'm tellin' my story now. I was just moved. I was moved to tell my story. You know? People write books all the time.
If I am on a journey where I only have time to read one-and-a-half books, I never know which one-and-a-half I'll feel like reading. So I bring eight.
In my case, the long gaps between my books have got quite a lot to do with lack of confidence. A lot of the time when I'm not writing I start thinking I can't do it.
I've been a traveller, but I don't travel so much now. I'm trying to do it vicariously through my writing. I'm trying to write books that will draw readers away from their lives but send them back in a more awakened way.
One of the things I had to learn as a writer was to trust the act of writing. To put myself in the position of writing to find out what I was writing. I did that with 'World's Fair,' as with all of them. The inventions of the book come as discoveries...
I always market research my books before I hand them in by showing them to five or six close friends who I trust to be honest with me, so they are very heavily re-written already.
[last lines] Céline: Bauby, 43, a renowned journalist, family man and free spirit, was planning a book about female revenge.
Clementine: You don't tell me things, Joel. I'm an open book. I tell you everything, every damn, embarrassing thing.
[to Indiana, while watching a Nazi parade and book burning] Professor Henry Jones: My son, we're pilgrims in an unholy land.
