I think plays, like books, are endemic. They grow out of the soil of the writer and the place he's writing about. I think, you just can't move them about, you know.
When, in the third book, we do learn the identity of the Blue Rose murderer, the information comes in a muted, nearly off-hand manner, and the man has died long before.
There were a lot of adventure books for boys, historical novels by Kenneth Roberts, and whatever mystery novels the alarmed librarian imagined might not corrupt an eager but innocent youth.
Japan, Germany, and India seem to me to have serious writers, readers, and book buyers, but the Netherlands has struck me as the most robust literary culture in the world.
One of the things I have tried to do with this book and with all of them really is avoid that simple, easy, reductionist view of motivation and to show we do things for a complex net of reasons, a real braid of reasons.
Writing keeps death at bay. Every book I write is a triumph over death. ... If we did not know we’d die, we’d wander around and sleep like cats.
There are no taboos. Every topic is open, however shocking. It is the way that the topics are handled that's important, and that applies whether it is a 15-year-old who is reading your book or someone who is 55.
First you wonder if they're separate stories, but no, they're not, they're contingent stories and they form a pattern. And you begin with some of the island as the place to which the heroine of the book returns.
There is a book yearning to come out of me: about how we can build the new collaboration economy, and the role of 'openness' in our quest for efficient use of resources and as a driver of innovation.
I have to declare in all candor that no one interested in being published in our time can afford to be so naive as to believe that a book will make it merely because it's good.
Religious fanatics want people to switch off their own minds, ignore the evidence, and blindly follow a holy book based upon private 'revelation'.
I did not end up as broadly educated as my Cambridge colleagues, but I graduated probably better equipped to write a book on my chosen subject.
The earliest books in the New Testament to be written were the Epistles, not the Gospels. It's almost as though Saint Paul and others who wrote the Epistles weren't that interested in whether Jesus was real.
Going to the library was the one place we got to go without asking for permission. And they let us choose what we wanted to read. It was a feeling of having a book be mine entirely.
Had I not had children of my own, I would have never written books for children, nor would I have been capable of doing so.
Doctor Who: You want weapons? We're in a library. Books are the best weapon in the world. This room's the greatest arsenal we could have. Arm yourself! (from Tooth and Claw in Season 2)
' The Lucky One' is at its heart a romance novel, elevated however by Nicholas Sparks' persuasive storytelling. Readers don't read his books because they're true, but because they ought to be true.
We feel the same emotions for our ideas as we do for the real world, which is why we can cry while reading a book, or fall in love with movie stars.
Man Thinking must not be subdued by his instruments. Books are for the scholar's idle times. When he can read God directly, the hour is too precious to be wasted in other men's transcripts of their readings.
In addition, we were unable to meet openly to discuss the progress of the book, for we were both on the list of persons banned from communicating with other banned persons.
I am a really big Harry Potter fan and I've seen all the sets, I've lived Harry Potter and I don't think it's destroyed the books at all, I think it's really spot on.
