Then one day I thought it would be wonderful to make a whole book, to make my text and my drawings together, and that's how I started doing children's books.
When I read a book, I put in all the imagination I can, so that it is almost like writing the book as well as reading it - or rather, it is like living it. It makes reading so much more exciting
Then is when I decided to take it to Archie to see if they could do it as a comic book. I showed it to Richard Goldwater, and he showed it to his father, and a day or two later I got the OK to do it as a comic book.
It's my contention that each book creates its own structure and its own length. I've written three or four slim books. It may be that the next novel is a big one, but I don't know.
I have no memory for what happens in what books. I don't know when I might remember a scene, but beats me what book it's in because there are 14 of them now.
Remember that just because major publishing is having trouble, that doesn't mean people have stopped reading books. Printed books won't go away, but ebooks won't go away, either.
You could probably live without mastering the ability. But the ability to read those books…it’ll introduce you to new worlds and new thoughts. You can learn a lot about a man from the books he treasures.
I start a book and I want to make it perfect, want it to turn every color, want it to be the world. Ten pages in, I've already blown it, limited it, made it less, marred it. That's very discouraging. I hate the book at that point.
I don't think we should see the world of books as fundamentally separate from the world of the Internet. Yes, the Internet contains a lot of videos of squirrels riding skateboards, but it can also be a place that facilitates big conversations about b...
When I look back at my career as an author, I don't look at the first book that was ever published as to where my career began - I look to the first book that I ever wrote.
Kids and adults have a difference of opinion when it comes to what constitutes legitimate reading. Adults often push books that they loved as children, which, ironically, were often books that their parents weren't particularly keen on.
Some books that I've read on the Kindle, I've been like, 'I want that on my shelf.' Because it says, 'I'm the kind of person who has read this.' The kind of books that says, 'I'm serious and intellectual and historical and race-conscious.'
My mom would always read a book to me at night from when I was three. Now, I can't go to sleep without reading a book. At the same time, once I read, it's difficult for me to go to sleep, as I have an overactive imagination and I start thinking.
I love my job, and I love books. I read anything, including cereal boxes. I care deeply about what people think of my books, and I memorize my reviews. I love to hear from my readers.
Max Vandenburg: So... How is Rudy? Liesel Meminger: I don't know. Rudy is a pain in the neck. Max Vandenburg: The only thing worse than a boy you hate, is a boy you like, right?
Death: In my job, I'm always seeing humans at their best, and their worst. I see their ugliness, and their beauty. And I wonder how the same thing can be both.
I had an idea in the beginning to do a book about some of the events that I had covered, just various stories that I've covered. Reporters spend a lot of time telling each other tales about how they covered stories, and that's what this book started ...
The comments I most appreciate come from ordinary readers who've happened on one of my books at some time of stress in their lives, and who actually credit the book with helping them through a bad time. It's happened a few times in forty years.
Name the book that made the biggest impression on you. I bet you read it before you hit puberty. In the time I've got left, I intend to write artistic books - for kids - because they're still open to new ideas.
I once stole a book. It was really just the once, and at the time I called it borrowing. It was 1970, and the book, I could see by its lack of date stamps, had been lying unappreciated on the shelves of my convent school library since its publication...
For a very long time, I wrote a book a year, and was eager and willing to do it, to put bread on the table, to have my work out there. Now I must write a book every two years, and that's never enough time, either.