I put off writing the first Left Behind book for a year because I got invited to assist Billy Graham in his memoirs, and had we known what we were putting off for a year, we might not have put it off.
A good day is one where I can not just read a book, but write a review of it. Maybe today I'll be able to do that. I get for some reason somewhat stronger when the sun starts to go down. Dusk is a good time for me. I'm crepuscular.
I don't for one second think about the possibility of censorship when I am writing a new book. I know I am a person who cares about kids and who cares about truth and I am guided by my own instincts, and trust them.
Basie: What did you say your name was boy? Jamie: Jamie and I'm building a man-flying kite and writing a book called Contract Bridge. Basie: Jim a new name for a new life.
Nobody wants to read about the honest lawyer down the street who does real estate loans and wills. If you want to sell books, you have to write about the interesting lawyers - the guys who steal all the money and take off. That's the fun stuff.
Really important books to me are the classics. I try very hard to read them well - you know, especially once I got serious about writing. So, reading Tolstoy several times - 'War and Peace,' 'The Kreutzer Sonata' - all those were really important to ...
I have been doodling since childhood. I have a passion for illustrating but cannot paint or colour for that matter. I illustrate what I am trying to communicate through my writing. My images are like drawings in a science text book.
The role I see for my books is trying to think through the consequences of various things because a lot of the issues around technology and the nuances in it are not usually widely appreciated. That's how I view my writing as I sort of explore this t...
I can't seem to help writing love stories. I definitely crave romance. When I was young, I craved romance in books, but I didn't want to read just romance - love plays such a big part in our lives, it shouldn't be cut out and restricted to its own fi...
Writing about 2,000 words in three hours every morning, 'Casino Royale' dutifully produced itself. I wrote nothing and made no corrections until the book was finished. If I had looked back at what I had written the day before I might have despaired.
If I write a book where all I've ever experienced is success, people won't take a positive lesson from it. In being candid, I have to own up to my own failures, both in my marriage and in my work environment.
I was always working. Maybe you weren't aware of the movies I was making, or the television I was doing, or the shows I was creating, or the books I was writing; there have been thirty. But I have always been solidly at work, running as fast as I can...
When I was writing 'The White Tiger' I lived in a building pretty much exactly like the one I described in this novel, and the people in the book are the people I lived with back then. So I didn't have to do much research to find them.
I actually didn't listen to the Beatles song 'Nowhere Man' when I was writing my book of the same name. What I listened to a lot was 'Abbey Road.' Its disjointedness and its readiness to confuse only to delight were inspiring to me.
I was kind of an outsider growing up, and I preferred reading to being with other kids. When I was about seven, I started to write my own books. I never thought of myself as wanting to be a writer - I just was one.
I have a lyric journal that I write in a lot. When I'm going to play, I just sit down and have my books with me and my notes and tapes and whatever I need to refer to. I just play and try different things. It's a kind of discipline.
Then you start another book and suddenly the galley proofs of the last one come in and you have to wrench your attention away from what you're writing and try to remember what you were thinking when you wrote the previous one.
I think every professor and writer is in some way an exhibitionist because his or her normal activity is a theatrical one. When you give a lesson the situation is the same as writing a book. You have to capture the attention, the complicity of your a...
For the length of time it takes to write a book, you need to believe that you’re the only writer in existence; the only one who matters. You need to shut yourself away and allow the creativity to build up, not leak out through worry and comparisons...
Writing is like baking cupcakes, you're trying to make something from the raw. Like with cupcakes it's flour and eggs and stuff, and with books it's ideas and words. The end result is the same though, you want people to eat them up.
Probably every book I read influenced me in some small way. Authors like Jan Westcott, Kathleen Winsor, Catherine Cookson, Georgette Heyer, and even Barbara Cartland taught me to write character-driven stories.
