More than periods where I don't write anything, I have periods where I just write junk and I know I'm writing junk but I can't stop.
I don't write anything that I haven't lived. In terms of integrity, you have to write what you live. And if you write beyond what you live, it is theory. And theory is not helpful. It is just not.
When I sit down to write, I don't think about writing about an idea or a given message. I just try to write a story which is hard enough.
I'm pretty obsessive-compulsive, and I'm very fast. I tend to not write for a long period of time until I can't not write, and then I write first drafts in gallops. I won't eat right. I forget to do my laundry.
I don't really write any of my raps down. The same, Kanye don't write any of his raps down. Common. It's easy that way. For me, personally, I figure I will lose some of the inspiration in the time of me writing it down, or I'll say it a certain way b...
You know that I write slowly. This is chiefly because I am never satisfied until I have said as much as possible in a few words, and writing briefly takes far more time than writing at length.
I don't project no image. I just act like myself. I write about how I feel, the emotional stage I'm in at the time. So I write from the heart. I never write from my mind. My brain, I mean.
Someone who wants to write should make an effort to write a little something every day. Writing in this sense is the same as athletes who practice a sport every day to keep their skills honed.
I really love writing comedy. Writing romantic comedy is even nicer because you get to write about how insane we all act when we're falling in love.
I listen to the Mars Volta and Fiona Apple every day. I feel if you do write music, you write what you listen to, and you couldn't possibly write in another genre. So those are the two that I usually use.
Anything that keeps you happy and writing is part of my writing ritual: I like music, so I tend to have it playing in the background. But if I'm interested, I can write in an airport waiting areas.
For that reason you can't write with music playing, and anyone who says he can is either writing badly, or not listening to the music, or lying. You need to hear what you're writing, and for that you need silence.
When I became more involved in music, I had to give up some of my writing in the literary sense. However, on occasion, I would write something for my own pleasure or I would write notes and introductory remarks in the songbooks I put together.
Writing is the process of finding something to distract you from writing, and of all the helpful distractions - adultery, alcohol and acedia, all of which aided our writing fathers - none can equal the Internet.
You should write because you love the shape of stories and sentences and the creation of different words on a page. Writing comes from reading, and reading is the finest teacher of how to write.
Well, there are three different processes of making a film, of course. They're sort of re-written three times. You write it to start with, and then you shoot it and you re-write it while shooting and you sort of re-write it as you edit.
(W)hat I write when I force myself is generally just as good as what I write when I'm feeling inspired. It's mainly a matter of forcing yourself to write.
After 'A Suitable Boy,' I didn't write anything, not even a short story. I thought to myself: 'I ought to start writing.' But I can never force myself to write.
My mentor Jon Simmons introduced me to the Stanislavski system, which is so heavy on back-story. So you write and write and write these back stories about a character and then you throw it away. So then on set, if it doesn't come, then you didn't do ...
If you take a few days to write an outline, you're just making up scenes that you think will work, that you think will be interesting. But as you write it, other ideas occur - better ideas that have to do with what you're writing.
All of my scripts are based on other people's novels. Generally, I consider myself as one who writes for theatre. I do not see film work as a continuation of writing for theatre. It is more of an interruption of the writing process.
