All writers start out writing badly, but with diligence and determination, we all get better. It's then that writing becomes truly fun and always engaging. When you no longer have to worry about how you write, you can start thinking about what to wri...
I cannot always write at the same time, in the same place. I work, travel and have a vigorous family life. If I'm stranded in an airport lobby - I write. If I have to wait in a doctor's office - I write. If I have a morning or evening to myself - I w...
I approach writing female characters the same why I approach writing male characters. I never think I'm writing about women, I think I'm writing about one woman, one person. And I try to imagine what she is like, and endow her with a lot of my own th...
I started writing by doing small related things but not the thing itself, circling it and getting closer. I had no idea how to write fiction. So I did journalism because there were rules I could learn. You can teach someone to write a news story. The...
'Matisse and Picasso' is a little like Plato after Socrates. Socrates only taught in words. He didn't write. And after that, you had Plato and Aristotle to write about what he had said. I write about them because they didn't write about them.
I see creative-writing classes as some sort of AA meeting. It is more of a support group for people who write than an actual course in which you learn writing skills. This support group is extremely important because there is something very lonely ab...
I'm always writing, even when I'm not at my desk. I write on my hands. I used to write on my kids' hands, too, but they don't let me any more. When I'm driving I sometimes write all the way up my arms.
'A Fair Maiden' existed in notes and sketches for perhaps a year. When I traveled, I would take along with me my folder of notes - 'ideas for stories.' Eventually, I began to write it and wrote it fairly swiftly - in perhaps two months of fairly inte...
I work via the high-tension-wire method, which is maybe going for long periods without writing while the tension builds up - when am I going to write this, am I going to be able to write this, what is this image about - and I'm thinking about it all ...
I think of myself as someone who thinks largely through writing. Thus I write more than most people, and I write in many different forms. I think of myself as the kind of person who writes, rather than as one kind of writer or another.
I think film writing, you're thinking in pictures, and stage writing, you're thinking in dialogue. In film writing, it's also, you only get so many words, so everything has to earn its place in a really economical way. I think for stage writing, you ...
For the benefit of those half-dozen people who will see a name like Gwillim and put this book down in order to go look it up to see where it comes from — it is the Welsh version of William
Stuntman Mike: You know how people say, YOU'RE OKAY IN MY BOOK, or AND IN MY BOOK THAT'S NO GOOD. Well, I actually have... a book. And everybody I ever met goes in this book. And now I've met you, and... YOU'RE GOING IN THE BOOK TOO. Unfortunately, n...
We've inherited many ideas about writing that emerged in the eighteenth century, especially an interest in literature as both an expression and an exploration of the self. This development part of what distinguishes the "modern" from the "early mo...
As the chapters took shape, a change came over her. It was the double-sided recognition that this book, the last that she would write, might achieve esteem and success equal to her great novel, but that its emotional heart would lie in her own unhapp...
At times, I have been convinced that books hold all the material of life--at least all the stuff that fits between an A and a Z.
I really believe that the movie will never be as good as the book, both because the book goes on longer - a movie is basically an abridgment of a book - and because books are internal. But they are incredibly powerful. The visual format is, you know,...
Now, to describe the process of the Wrapped Reichstag, which went from 1971 to '95, there is an entire book about that, because each one of our projects has its own book. The book is not an art book, meaning it's not written by an art historian.
Classics aren't books that are read for pleasure. Classics are books that are imposed on unwilling students, books that are subjected to analyses of "levels of significance" and other blatt, books that are dead.
If we weigh the significance of a book by the effect it has on its readers, then the great children's books suddenly turn up very high on the list.
All books are coloring books, if you are in possession of a childlike imagination, and a box of markers.
