I went to school, I went to college. I know how to read. Even though I lack common sense sometimes, I am book smart.
I always start a book thinking that it can be something other than first-person present, and I always come back to first-person present. It's just the easiest way.
As a child, I had the opportunity to meet the captain onboard a British Airways flight. It was so exciting to see the cockpit and controls. I was in awe of the captain, and he stamped my log book, which I still have to this day.
That's why I haven't been so anxious. But now, lots of people write and say, 'I want to find out what you're doing.' So I know that this book will enlighten them.
The Poet at the Breakfast Table: My experience with public libraries is that the first volume of the book I inquire for is out, unless I happen to want the second, when that is out.
Books were my pass to personal freedom. I learned to read at age three, and there discovered was a whole world to conquer that went beyond our farm in Mississippi.
No book includes the entire world. It's limited. And so it doesn't seem like an aesthetic compromise to have to do that. There's so much other material to write about.
Once I found this possibility to use Twitter and Facebook and my blog to connect to my readers, I'm going to use it, to connect to them and to share thoughts that I cannot use in the book.
I don't separate my books into historical novels and the rest. To me, they're all made-up worlds, and both kinds are borne out of curiosity, some investigation into the past.
My father brought me a box of books once when I was about three and a half or four. I remember the carton they were in and the covers with illustrations by Newell C. Wyeth.
If someone looks into your eyes, I read in a book one time, he'll see right into your soul. I didn't want anyone to see into my soul.
It was the kind of love you read in the books and watched in the movies. Instant. Epic. Glorious. And I know there's nothing perfect in this world, but I swear, at that time, it was a perfect love.
But even before that, in 1980 I went so far as to write a book about what had happened. And I wrote all about the bank robbery, I went ahead and printed it even though I had no use immunity for it.
It would be wrong to say I enjoy having rows, because that would be un-Christian. If people attack me, then I respond, or if they do very wicked things. Then they must be brought to book.
My books were always full of ink blots, always stained and covered with smeared sketches and pictures, which one draws idly when his attention wanders from his task.
I had no idea I'd end up writing four books when I completed 'Mortal Engines.' I didn't even think it would find a publisher.
When I stopped performing for 16 years and lived in Michigan and was married and raising my children, I wrote about four or five books. I haven't published them.
Me and Johnny Rotten have been talking about doing a movie of his book, No Irish, No Dogs, No Blacks. We have a script, so hopefully that's going to happen at some point in our careers.
I think plays, like books, are endemic. They grow out of the soil of the writer and the place he's writing about. I think, you just can't move them about, you know.
When, in the third book, we do learn the identity of the Blue Rose murderer, the information comes in a muted, nearly off-hand manner, and the man has died long before.
There were a lot of adventure books for boys, historical novels by Kenneth Roberts, and whatever mystery novels the alarmed librarian imagined might not corrupt an eager but innocent youth.
