If I have to produce movies, direct movies, whatever to change the way Hollywood treats older women, I'll do it. If I have to bend the rules, I will. If I have to break them, I will.
I think if you don't feel passionate about the first movie you're doing, in the end the project will lack something because you don't have enough experience to make the movie something special.
You will see a 3-D movie in a movie theater for the shared experience of it - or for a date, and so on. You don't all sit at home getting your entertainment in a vacuum.
I really don't like to do back-to-back movies. I concentrate on things at home. My family and school life are important to me. I try to do one movie a year.
It was a wealthy family, and they heard me talk about movies, and they told me I should go into movies. That's the benefit of hanging out with rich people; they have no sense of what is or isn't possible.
I'm no longer dependent on the movie business to make a living. So if I want to make movies as other old guys would play golf, I can.
I think the movie business is in trouble. It's all movies that you've seen before. Everything's a remake; they want things that are familiar rather than things that surprise you.
I wasn't looking to get into TV. My family was in the movie business, so I was never interested in that world.
It's very eclectic, the way one chooses subjects in the movie business, especially in the commercial movie business. You need to develop material yourself or material is presented to you as an assignment to direct.
I heard about the movie business before I even knew what it was. So I surround myself now with people who are like, 'Can we not talk about movies for an hour?'
I can go to a movie theater and watch a movie I was in with an audience... but with television, the opportunity to meet the fans at Comic Con or any other situation, it's a chance to enter that circle; it's that sharing.
The one thing I haven't done that would be so cool would be, like, an action movie. Like a real action, Jason Bourne movie or something.
For every big American movie I've done where I was the supporting guy, I've gone back home to Canada to do supporting movies where I was the lead.
I personally have never made a movie in Hollywood, because I don't want to get up in my own bed and then go to the movie set, and then come home at night to my real life.
'Little Miss Sunshine' snowballed. It was a tiny movie. We shot it in 30 days, and it was really fun to do, but it was one of those small movies that you don't hold out huge hope for.
I've done a lot of movies before 'Entourage,' and I hope to always have my movie career going. Maybe I could take on another TV show, too.
Every time I do a movie like 'Finding Neverland' or 'Chocolat' or 'Shakespeare' in Love,' we deal with the creative process, but there's humor and fun along the way. I always love that kind of movie.
The first movie was mostly about George and Julia. This one is mostly about me and Catherine and our love story and our whole history. So it's a very different movie.
Like all kids who want to be in action movies, I want to jump out of a speeding car, shoot guns, slide out the side in slow motion like a John Woo movie.
If you look at Christmas movies, there are certain things in them that lend themselves to a 'Harold & Kumar' movie. In particular, the more out-of-this-world things like Santa Claus and flying reindeer.
I wouldn't recommend young kids see 'Speedway Junkie.' It's definitely an age-appropriate movie - dark and realistic and edgy. If young kids want to see me, go see the Christmas movie.
