But I really felt that, something about the lights going down, and the sense of community. I saw this movie at one festival, and there were 1700 people.
Me and Johnny Rotten have been talking about doing a movie of his book, No Irish, No Dogs, No Blacks. We have a script, so hopefully that's going to happen at some point in our careers.
When we did Wayne's World, it was 14 million dollars and they didn't bug us too much because they just thought it was some little movie that nobody was ever going to see. We showed them.
Any good business person applies financial discipline to everything they do. The movie business is and should be no different; I don't believe you have to sacrifice creativity to have business success. To the contrary, great art requires discipline.
Of course, when strangers see me, they're star-struck because of who I am, but my friends take me as a friend because I'm their friend - not because I'm a movie star.
The idea was to make a movie ourselves with everyone playing a cameo role. Preferably before we all go, 'cos poor old Charlie Wilson was murdered, and of course Buster has gone.
It's a very smart and heartfelt movie and that's why, I think, we're all drawn to it. We really showed up for this with this collective idea that it was really ambitious, but we felt we all really had something to gain from it.
We feel the same emotions for our ideas as we do for the real world, which is why we can cry while reading a book, or fall in love with movie stars.
In the States, there's ESPN3, and each country has different options, and other than premiere league football, there tends to be very little global content. And movie and TV rights are pretty broad content.
I'm not a caterer. I just have to stay with my creative convictions. At some point, you have to just get past the special-interest groups and do what you're there to do, which is make a movie.
Also, I plan to screw something up on every movie I do so that I can learn from my mistakes and become a better director with each project.
I think that one of my favorite movie roles has been a film that I did with Jason Statham that was out last year called 'Safe.' I played the main bad guy in that.
I AM NOT about making movies that would be forgotten. I want to make ONLY timeless classics. I don't care if it takes me ten years
If we fast forward through the journey, like Adam Sandler in the movie, Click, we’ll look up one day and see that we missed our lives.
When I was growing up watching Marilyn Monroe, I learned that you can be very beautiful, very glamorous and very vulnerable and not give up your soul just because you were a movie star.
I learned so much from other actors and they definitely didn't treat me like some sex bomb or bimbo. I felt fully accepted in the regular movie world. I didn't feel categorised.
It is something actresses need to go through and I think they look forward to being naked in a movie. I don't know why, but it is something you need to exhaust from yourself.
Stars are rare creatures, and not everyone can be one. But there isn't anyone on earth - not you, not me, not the girl next door - who wouldn't like to be a movie star holding up that gold statuette on Academy Award night.
I don't mind doing the whole red carpet thing when I have to when it comes to publicizing a movie. But besides that, I don't like those kinds of things at all. Celebrity status is not really something that appeals to me.
I guess my first digital movie was 'Tintin' because 'Tintin' has no film step. There is no intermediate film step. It's 100% digital animation, but as far as a live-action film, I'm still planning to shoot everything on film.
The only movie that I would ever even consider retrofitting is the first 'Jurassic Park,' which I think would look pretty spectacular in 3D. That's the only one of my films that I would consider doing in 3D.
