We keep coming back to the question of representation because identity is always about representation. People forget that when they wanted white women to get into the workforce because of the world war, what did they start doing? They started having ...
In this image-driven age, wildlife filmmakers carry a heavy responsibility. They can influence how we think and behave when we’re in nature. They can even influence how we raise our kids, how we vote and volunteer in our communities, as well as the...
Fredrick Zoller: [shouting to the camera, acting in Nation's Pride] Who wants to send a message to Germany? [Nation's Pride is interrupted by Shosanna's movie] Shosanna Dreyfus: I have a message for Germany. [Hitler and Goebbels watch in shock] Shosa...
Toby Radloff: I'm not going to be eating dinner until very late and this has got to hold me over. Harvey Pekar: Yeah? Whaddya got? A church function? Toby Radloff: No. I'm driving to Toledo to see a movie. Wouldya like to come? Harvey Pekar: No. Nah....
I don’t just want a gripping story line. I shoot for the three dimensional literary Braille to a silent Scorsese movie
Venice is beautiful, but like a Bergman movie is beautiful; you can admire it, but you don't really want to live in it.
What's next? You want to convince me they're making another crap Last Airbender movie?
It did not last long. It is only in the movies that knife fighters stab and miss and slash and miss and tussle over several city blocks.
You think all teenagers care about are musicians and movie stars? Spend some time in Wisconsin. We'll blow your socks off.
I rein myself in. I’m already breaking up with the guy. I don’t have to ruin his favorite movie.
I never want to be away from you again, except at work, in the restroom or when one of us is at a movie the other does not want to see.
There are a lot of movies I'd like to throw away. That's not to say that I went in with that attitude. Any film I ever started, I went in with all the hope and best intentions in the world, but some films just don't work.
I get a lot of dark scripts now. I don't wanna be stuck doing movies like American Pie. For someone my age, once you get started doing them, it's hard to get out.
'Step Brothers 2' would have been fun, there's no doubt about it. Maybe someday. Does that idea age? I don't know. It all depends on how the movie ages.
I think from an early age I was aware of how a camera can tell a story, how a movie camera can affect how the narrative is told.
I wrote a screenplay for a 'Sweet Valley High' adaptation, and it's really amazing to me how many women who are my age have responded to the idea and are excited about the movie.
I don't think that the movie industry is any more ready than any other part of the information industries to adapt itself to the information age. But it's going to go there one way or the other.
I met Will Smith twice. I didn't talk to him for too long but I was trying to let him know that my age group grew up watching him - he was the coolest guy on television and the coolest guy in movies.
I watched 'Ghostbusters' from the age of four. It's my favorite movie, still. Bill Murray's, like, the weirdest straight man that you've ever seen. He's convinced that he's the normal one, even though he's definitely not.
From the age of three to 15, I wanted to be a ballerina and trained really, really hard. Then I had that classic movie story moment, where I had an injury and had to give up my dream.
In this day and age, where you have a lot of comic book movies made every day, and most of them are really good boys, it's important to have a couple bad boys out there, too.
