It's so rare that you see a movie that you are genuinely moved by on a real level, and you relate to it, and you come out feeling uplifted.
'The Exorcist' is the scariest movie ever made. It just felt dead-on real, like you were watching the existence of the devil.
A lot of first-time filmmakers are almost apologizing for their movie by saying, 'Well, we only had 18 days to shoot, you know.'
I think that 'Elysium' the movie is unrealistic, with the space station and everything. I think 'Elysium' the metaphor is completely realistic: it's exactly where we're going.
When I start a movie, there will be certain films that I watch again just because the vibe seems right.
'Frances Ha' is the closest final product to what I had in my head of any movie I've made. I'm not entirely even sure why that is.
I've always wanted to appear in a 3-D Movie, that's always been a goal of mine. If you appear in a 3-D picture you are a shoo-in for an Oscar. There's no competition.
Making a movie is still very difficult in Hollywood, regardless of what you have and what level you're at. It is a house of cards, and things have to perfectly align.
I didn't know Charlie before doing the movie, but I was a huge fan of the British Queer as Folk.
Don't set out to make a scary movie and then flinch every time you're supposed to scare somebody because you're afraid of being MPAA or you're afraid of your own demons or whatever.
I am actually talking about possibly adapting 'The Boys,' by Garth Ennis, which would not be a comedy, but an action movie with comedy elements to it.
Nothing is more enjoyable for me than when I'm watching a movie or a TV show and there's that sense that anything can happen. It is the most fun feeling in the world.
I don't like everybody knowing what I'm doing, unless it's related to a movie. I don't like speaking to the press. I never did.
Bernard Herrmann used to write all his scores by himself. So did Bach, Beethoven and Stravinsky. I don't understand why this happens in the movie industry.
I probably hold the distinction of being one movie star who, by all laws of logic, should never have made it. At each stage of my career, I lacked the experience.
My tag line for 'Silver Linings' is this: It's about a man who thinks his life is a movie produced by God.
I think one of the things that was a huge surprise to everyone with 'Silence of the Lambs' was that that was an Oscar-winning horror movie. It struck such a nerve with audiences that it was a very particular, special experience.
The visceral experience of seeing a movie in three dimensions, coming at you in the theater, is obviously here to stay, because it is a unique experience. I think that kind of format is only appropriate for some genres, but I'm all for it.
When I was 25 years old and had no money - and didn't know how to make movies and had no experience - I was able to get $25,000 together, and that film was 'The Brothers McMullen.'
The whole experience of working on this movie was so fun, and I had more fun working on that than I've had on anything else. I had more fun working than on my days off.
The joy of acting for me is to be able to experience emotions in a safe environment. You can't scream and cry in the street because everybody will look. If you do it on a movie set, you get applauded.
