Newscaster: All persons who die during this crisis from whatever cause will come back to life to seek human victims, unless their bodies are first disposed of by cremation.
[first lines] Pvt. Gardner: [seeing body bags] Oh, man. Is that what I think it is? Sergeant: All right, you cheese-dicks, welcome to the Nam. Follow me!
Captain Richard O'Malley: You think this is gonna lead you to the bodies? Cause I sure as shit don't. Detective Loki: Do me a favor, captain. Go fuck yourself.
Prison Counsellor: Why do you say you feel "trapped" in a man's body? "Trapped" Convict: Well, sometimes I get them menstrual cramps real hard.
Priest: A man's been murdered. Commoner: So what? Only one? Why, up on top of this gate, there's always five or six bodies. No one worries about them.
Spock Prime: To stop Nero, you alone must take command of your ship. James T. Kirk: How? Over your dead body? Spock Prime: Preferably not.
Billy Ray Valentine: [after demonstrating some fake karate moves] That's called the "quart of blood" technique. You do that, a quart of blood will drop out of a man's body.
Rorschach: Of course. You must protect Veidt's new utopia. What's one more body amongst the foundations? Well, what are you waiting for? Do it. [Dr. Manhattan hesitates] Rorschach: DO IT!
Fashion is more about taste than money - you have to understand your body and tailor clothes to your needs; it's all about the fit. I do the alterations myself - I'm quite a seamstress - it's the influence of my Hungarian mother.
Take the time to shop for yourself and cook. All of this is an investment in yourself, and if you're not going to invest time and money in what you put in your body, then what are you going to spend money on? It's kind of the most important thing.
Nature builds things that are antifragile. In the case of evolution, nature uses disorder to grow stronger. Occasional starvation or going to the gym also makes you stronger, because you subject your body to stressors and gain from them.
As an illustrator you need to understand the human body - but having looked at and understood nature, you must develop an ability to look away and capture the balance between what you've seen and what you imagine.
Deathstorm sees Power Ring as a fascinating experiment. Deathstorm is a scientist who's been merged with the dead body of his lab assistant. It's given him a cold demeanor and a clammy touch.
Authentic power is the real deal. You can't inherit it, buy it, or win it. You also can't lose it. You don't need to build your body, reputation, wealth, or charisma to get it.
My brain power depends on my retained mastery of analyzing in detail what's happening in my world and in my mind and body. I must continue to practice to retain my constructive and analytic powers. The goal is to be a master of my environment.
I think the term poet is a very exalted term and should be applied to a man at the end of his work. When he looks back over the body of his work and he's written poetry then let the verdict be that he's a poet.
The cinema began with a passionate, physical relationship between celluloid and the artists and craftsmen and technicians who handled it, manipulated it, and came to know it the way a lover comes to know every inch of the body of the beloved. No matt...
'Little Night' has layers of meaning. There's something enchanted about night. All those heavenly bodies, shooting stars, the crescent moon, celestial phenomenon. Owls fly at night, and first kisses happen. Night is romantic. Alternately, darkness hi...
It might be asked, 'How much time shall I allow myself for rest?' The answer is that no rule of universal application can be given, as all persons do not require the same measure of sleep, and also the same persons, at different times, according to t...
Every success story has a parent who says, 'over my dead body.' Every success story has an old person who walks up to you and says, when you're acting the fool, 'you know I worry about you sometimes.'
I use the term 'disabled people' quite deliberately, because I subscribe to what's called the social model of disability, which tells us that we are more disabled by the society that we live in than by our bodies and our diagnoses.
