...no pain ever takes full leave of its person. That pain is greedy and doesn't give ground. That a body remembers what hurts it and how. Old pains get swallowed by new pains. But newer pains always follow suit.
It is really hard to completely re-learn how to express yourself without using words. When you take away speech, you have to re-invent the way you express yourself. You have to exaggerate your body language and your facial expressions.
You develop a third eye where you kind of know where they are in a room at all times but no matter how vigilant you are as a parent, at some point, you'll look around a room and can't find them and there's a searing pain that goes through your body.
I will always have pain. But I exercise as much as I can, and I find that makes a huge difference. And if my body does seize up, I have a pain plan in place. If it escalates, I go back to my doctor.
Being a kid, as all kids do, you feel out of place or like kind of a freak. You wake up feeling like your head got put onto someone else's body that day.
The third stage was the reaction that came when the body struggled to compensate for its ills - when, for instance, the white count not only returned to normal but increased to much higher than normal levels.
A sound mind in a sound body, is a short, but full description of a happy state in this World: he that has these two, has little more to wish for; and he that wants either of them, will be little the better for anything else.
A lot of actresses feel the pressure to constantly look good, to constantly show how well-toned every inch of their bodies are and how much they've been to the gym, not necessarily to do justice to the role they're in, but to point out to the produce...
Prior to being bullied, I was a very footloose sixth-grader. You know, I was quirky, I was creative - I really felt good in my own body. And when I was bullied in seventh grade, my self-esteem tanked.
I used Evernote almost exclusively for researching 'The 4-Hour Body.' I was able to eliminate all of the perpetually open tabs and multiple bookmarking services. It's also all automatically backed up to Evernote, which gives me peace of mind.
I'm one of those who cut off seeing people after a certain time, when the weight is gone and they sound like the dementia is very advanced - I don't want to see that. I don't even go in to look at the body. That's not my last memory.
At a time when we aim to accelerate our efforts to achieve the Millennium Development Goals and define a bold agenda for the period beyond 2015, the role of charity can and should grow. U.N. bodies such as the U.N. Volunteers Programme and UNICEF off...
The studio is a place where I can experiment before I'm prepared for an idea to become a body of work, or a new way of working, or a way of working that can sustain me over a period of time.
People would ask me to autograph their bodies and then the next time I'd see them on tour they'd have my autograph tattooed. I decided I wouldn't write on people anymore, but I'd give them arms and legs and if they wanted those autographed I'd do tha...
The way that people feel changes everything. Feelings are forces. They cause us to time travel. And to leave ourselves, to leave our bodies. I would be that kind of psychologist who says, 'You're absolutely right - there are monsters under the bed.'
I'm really low maintenance when it comes to my clothes and what I wear. I definitely take care of my body, not so much for how I look, but I just like the feel of exercising and being healthy and having energy. That's why I work out all the time.
Laura Bush has the face of my mother when my mother was young. The face, the body, the voice. The first time I saw on TV Laura Bush, I got frozen because it was as if my mother was not dead. 'Oh, Mama,' I said, 'Mama.'
In junior high P.E., I was way too shy to take a shower in front of the other kids. It was a horribly awkward time - body hair, odors... So I'd go from my sweaty shirt back into my regular clothes and have to continue the day.
Schubert had arguably the same melodic gift as Mozart, but even less support. He didn't have the early exposure, never got to travel anywhere, and yet generated and amassed a body of work that grew and developed and is very profound.
[Gideon is looking at Charles' body in the coffin and begins to sneeze violently] Sylvie Gaudel: He must've known Charles pretty well. Reggie Lampert: How can you tell? Sylvie Gaudel: He's allergic to him.
John Milton: A woman's shoulders are the front lines of her mystique, and her neck, if she's alive, has all the mystery of a border town. A no-man's land in that battle between the mind and the body.
