My house is actually two houses that were deconstructed. They were Connecticut Valley houses built in 1771 and 1781. I took them down piece by piece and reconstructed them about 50 miles to the west on the New York/Connecticut border.
I wanted to play around with the format, really tear it to pieces and shake it up. For example, if Mitch saves someone from drowning, and that person then goes out and releases a virus that kills a million people. Imagine the moral implications of th...
I have a Guinness Book of World Records entry as the most-watched person on television; now I have a new entry as the only man who has a crab named after him.
I think that without sushi there would be no David Hasselhoff, because sushi is like the perfect way of describing the insides of David Hasselhoff. He is like a protein, clean and easy. That's how I feel about myself.
My web site is so fresh. The paint is still wet, but stay tuned, because I have lots of personal things, specifically about what is happening day-to-day, that I will keep updating daily.
Even when I make mistakes and people exploit my mistakes on television or on the Internet, and they use it to make fun of me, it's just kind of working in my favor at the end. It's really strange.
When I was doing 'Britain's Got Talent,' I really enjoyed it, but I found it very difficult to be in the audience. I like to be on stage; I feel safer on stage because I'm in control.
I would never, ever, ever, ever say I have regretted the 'A-Team,' 'Magnum PI' or 'Murder She Wrote' or any of the others I did - and if you mention a television series, I'm sure I had a hand in it.
I had always planned to make a large painting of the early spring, when the first leaves are at the bottom of the trees, and they seem to float in space in a wonderful way. But the arrival of spring can't be done in one picture.
But the moment you use an ordinary camera, you are not seeing the picture, remember, meaning, you had to remember what you've taken. Now you could see it of course, with a digital thing, but remember in 1982 you couldn't.
I can often tell when drawings are done from photographs, because you can tell what they miss out, what the camera misses out: usually weight and volume - there's a flatness to them.
When you're a choreographer and you put so much into a routine that's emotionally driven, those are like my ideas and my little babies that I have here and then I put them out there and they're there to be judged and looked at. When it's all over, it...
I think the word for me is survival, not ambition. I'm really a lucky man. I've always accepted whatever I was in, whether it was driving a taxi or entertaining. The jet set might not enjoy what I do, but I deal with the average person.
I got the big BMW X5, and I didn't like it. It was just too big, and I didn't feel comfortable driving it. It was taking up too much room, and I was afraid I was going to smash into something.
I'm highly distractable, and I have too many things on my mind very often. When I'm driving in the city, it drives me so crazy - the city traffic and the parking - I just take cabs everywhere.
Ringside seats mean you hear the breaking of ribs, the splattered cartilage of what was once the boxer's nose, the dislocation of the jaw, the horrifying 'ugggh' that the boxer utters milliseconds after receiving a crushing left hook to the solar ple...
When I'm not painting, I'm Oujia-boarding with my photos. I'll sort through my pictures, put them in different folders, and come back months later to one in particular and try to figure out why I took it.
It makes me uncomfortable to talk about meanings and things. It's better not to know so much about what things mean. Because the meaning, it's a very personal thing, and the meaning for me is different than the meaning for somebody else.
See, a painting is much cheaper than making a film. And photography is, you know, way cheap. So if I get an idea for a film, there are many ways to get it together and go realise that film. There's really nothing to be afraid of.
I want to get to the point where one day I don't have to have anything but a rug and a microphone stand on stage and still be able to sell out places like Madison Square Garden, like Bruce Springsteen does.
Everyone's got skeletons in their closet, and I've got a million in mine, believe me. I tested the envelope; I pushed it. Whenever somebody in authority told me not to do something, I did it just to find out why they said not to do it.
