I think I've committed the one really bad English crime, which is I've risen above my station. I was supposed to be a pop star, and suddenly I'm claiming that I'm an artist of some kind.
The Marshall guitar amplifier doesn't just get louder when you turn it up. It distorts the sound to produce a whole range of new harmonics, effectively turning a plucked string instrument into a bowed one.
I enjoy working with complicated equipment. A lot of my things started just with a rhythm box, but I feed it through so many things that what comes out sounds very complex and rich.
It's a tough thing to know that when you're making your album, you're going to end up collaborating with, say, Wal-Mart, on your artwork. That just sucks. And the pressure behind getting the numbers real fast is, to me, dizzying.
My idea is to play with the people who you know want to get it right. Then it's fun and easy to record, and you can get down to details, like taking out cymbals so the verse doesn't dwarf the chorus, something like that.
You can't compete with hip-hop. That doesn't mean I don't want to be as big as a rap star. I do - I'm always competitive. But there's this weird perception of me as someone who's sitting around plotting like a devil. It's not like that.
'Human' was controversial within The Killers way before it was controversial to the rest of the world! It caused some problems within the band. Not to throw anybody under the bus, but it was pretty much me and Dave against Mark and Ronnie for a littl...
My biggest regret is that my mother didn't see me walk on to that London Palladium stage, being the star she always wanted me to be. But I always say that when she reached Heaven, she had a word with a few agents.
It's like you asked me about the depression thing: you grope towards an understanding of whatever it is your going through, and it's not personal, there are forces in play around you, and you seek to understand them and that way you can go on.
I started going to Madame Louise's, the lesbian club where all the punk bands used to go - the Sex Pistols, the Clash. I remember seeing Billy Idol walk in there; he was gorgeous.
I think people could be a bit friendlier. The only real contact you have with people is when they're annoyed if you've had a party - you know, it's been a bit too noisy for them or something.
One of my earliest memories is seeing the bright blue, Epic 45 of Jackie Wilson singing 'Higher and Higher,' and I'd say, 'That one!' and my parents would play it every Sunday afternoon and we'd all get up and leap around the house.
I'm going through a divorce now. This is the second one, and like baseball, I'm not gonna get three strikes. I've been living by myself for five years and I'm very comfortable. I can play my guitar when I want to.
That person who's going to a concert for a nostalgic reason, we're not really going to placate. We still play three or four hits every night. Now, we don't play them like the record. We try to find new ways to do it.
It's like, what happened, I was always leading fashion, and then the grunge thing kind of came along. And because I've been so on top in the '80s you know, I, you know, what can I do? Suddenly go grunge?
With my projects, I really like the extreme high-tech stuff, but I also like the other end, the acoustic things. So it seems like those meet on an iPad, where you make shapes but the sounds coming out of it are really acoustic.
I really dig the scene that's happening now, I really do, because there might be a lot of bad things going on, but if out of all of those bad things ten per cent of the groovy part of it stays, wow... you can't beat that.
I'm self-sufficient. I spend a lot of time on my own and I shut off quite easily. When I communicate, I communicate 900 per cent, then I shut off, which scares people sometimes.
If I ever reach heaven I expect to find three wonders there: first, to meet some I had not thought to see there; second, to miss some I had expected to see there; and third, the greatest wonder of all, to find myself there.
I always think that the exceptional people are those who remain outsiders but still communicate on a grand scale. I think I want everyone to feel more free, and so I feel really claustrophobic on behalf of lots of people.
It can be frightening to turn your back on what others think is right. But I'm not the same as a lot of people - I'm quite artistic and quite eccentric sometimes. If you honour that, you fit into yourself better - and people accept you for what you a...
