The relationship with the cast has everything to do with how a performance develops, and in a sense that while you're discovering a play in the course of rehearsal with the director, you're also discovering it with your fellow actors. We're all in it...
Well, I don't think just because people are in a relationship that they're happy. I don't think relationships necessarily make people happy. You just are happy or you're not happy.
I've written a detective series myself, set in an imaginary, and slightly futuristic, Chinese city. The novels have an extremely tenuous relationship with the real world, since the hero is the city's Hell and ends up with a sidekick who is a demon.
It's difficult for me to meet women because my crowd is much older. I know that for some of the young women I do meet, a relationship with me can be envisioned as a benefit to their career.
How can a woman be expected to be happy with a man who insists on treating her as if she were a perfectly normal human being.
This is the point being missed by readers who lament Liquor's lack of hot sex scenes, probably because they aren't old enough to understand that a passionate relationship could be about anything other than sex.
The trouble with anyone when they're unhappy or in a relationship they recognize is not working but don't know what to do about is that they can't see farther out than that. If the relationship is not working, if what was there isn't there anymore, y...
I tend to believe, when you're in a relationship, if you don't fight, it's not a real relationship. You have to have arguments and tensions, otherwise I don't believe it.
There's a lot about the character. It doesn't always happen, but there are some characters you really create a relationship with, almost as if they were your friend. And you never get into their heads again or think like them.
I was in a relationship with a girl I loved for three years. Where do you go after three years? Then you've got to start thinking about other things, and I'm too young to think about those things.
One of the reasons I loved working with Tom is people feel they know who he is... I think working with an actor who the audience already has a relationship with actually helps you in a film like this.
Whenever you speak to someone, you are presuming the two of you have a certain degree of familiarity - which your words might alter. So every sentence has to do two things at once: convey a message and continue to negotiate that relationship.
Is our desire for partnership just an evolutionary remainder, a Togetherness Delusion, where millions of women only think they need a relationship to be truly happy? Maybe. But you know what? That's fine with me.
Let my soul smile through my heart and my heart smile through my eyes, that I may scatter rich smiles in sad hearts.
It's been a hard time to celebrate, to come out with a smile. But I'm an American. Naomi asked me to come out to support other Americans, and here I am.
I think ultimately I make people happy: Whether I'm doing the stage show, giving somebody a makeover, or designing clothing, the end goal is to make people smile.
I wish to be appreciated not only as a film star but also for the person I am. If I manage to bring a smile on people's faces, then I think I'll be successful.
No one is so completely disenchanted with the world, or knows it so thoroughly, or is so utterly disgusted with it, that when it begins to smile upon him he does not become partially reconciled to it.
I watched Gene Kelly for his smile, for his energy. Vittorio Gassman for his movement. Clark Gable for his mustache. And I watched Lassie who was happy as a dog.
You have to tell guys to ask you on a date. Smile when you do it - however that works, I'm not 'Cosmo.' But yeah - not a lot of people know how to 'court' anymore, sorry.
Generally, when a record label suggests album ideas for you, you smile politely, and then proceed to shoot it down, because it's never what you as an artist feel is right for you.