I do believe that when you know better, you do better. You know what was wrong about the last relationship, and hopefully you will do better the next time.
It's about a young man who has climbed to fame and he discovers that his writing and the relationship with his wife are really more important for him than anything else.
People who are incapable of having any kind of intimate relationship have to turn to feeling this incredible hunger and void, have to turn to some quantifiable external product to make them feel whole.
I've never had an easy relationship with critics. I hold a lot of homicide in my heart. If this was another time, I'd be packing a piece.
You don't want to be ungenerous toward people who give you prizes, but it is never the social or political message that interests me in a novel. I begin with an interest in a relationship, a situation, a character.
I believe that two people are connected at the heart, and it doesn't matter what you do, or who you are or where you live; there are no boundaries or barriers if two people are destined to be together.
I don't think you always get to see a woman on TV who is relatively neurosis-free and, while looking for a relationship, isn't man hunting and isn't cloying and isn't a fashionista.
That's what I do and I enjoy even the hateful moments of a relationship where two people or four people come together to make a bigger mess than originally intended.
Because I live in the countryside, I want a building which encourages me to have a fully formed relationship with the environment. It gives me an opportunity to not just be inside or outside, but in a range of contexts.
That's always a fun thing to play, a relationship where there's equals. I often play roles that are repressive, or women who are slightly repressed or having some kind of internal conflict.
The worst thing I could be accused of is that I'm a one-way dude, only out for myself. But the worst thing a woman can do is not to say anything. Especially when you're starting a relationship.
I could see myself in a relationship with a girl; Olivia Wilde is so sexy she makes me want to strangle a mountain ox with my bare hands. She's mesmerizing.
One of the things I find in writing about people who are dead is that, after a short or long time, no matter how close the relationship was, they become like characters in fiction.
I think when you're trying to produce a relationship on screen that doesn't actually exist, perhaps sometimes there's a temptation to look at each other more, to touch each other more.
I certainly wanted to maintain some sense of mystery about Picard and that's why we never allowed certain situations to fully evolve, like the relationship between Picard and Beverly Crusher.
When you are seeing somebody, then obviously it's a commitment. And if you don't want to commit, then don't be in a relationship. Every relationship deserves a certain credibility and respectability. For me, it's always been like that.
Even if you know that what you'll say will hurt a woman's feelings, I've learned that it's better to be truthful with her than it is to cover up. Ultimate honesty is what a relationship is really about.
A relationship is lovely if you're happy, comfortable in it and you really like the person. I can think of nothing better. But there's nothing worse than having a relationship in which you feel no interest.
The thing that stood out above and beyond all the experiences was this relationship with the nine-month-old baby. On weekends, I'd be thinking about going back to set on Monday just to see the baby.
Oh, I talk about things; I drive my husband insane. And I can't tell a lie. Everyone knows. I do this smile thing.
For me, every hour is grace. And I feel gratitude in my heart each time I can meet someone and look at his or her smile.
