People wish to be poets more than they wish to write poetry, and that's a mistake. One should wish to celebrate more than one wishes to be celebrated.
Poetry seems to have been eliminated as a literary genre, and installed instead, as a kind of spiritual aerobic exercise - nobody need read it, but anybody can do it.
I believe that all poetry is formal in that it exists within limits, limits that are either inherited by tradition or limits that language itself imposes.
So I really began as a failed poet - although when I first wanted to be a writer, I learned to write prose by reading poetry.
The poet exposes himself to the risk. All that has been said about poetry, all that he has learned about poetry, is only a partial assurance.
I see a resurgence of interest in poetry. I am less optimistic about the prospects for the arts when it comes to federal funding.
If you were going to choose a way of making your way in this world and a place to start from, you might not choose poetry and you might not choose Huddersfield.
The experiment of poetry, as far as I am concerned, happens when the poem carries you beyond where you could have reasonably expected to go.
All through childhood, I wrote verses and mysteries. There is, for me, one connection: structure. My poetry is metrical, rhyming.
I'm not a writer. I think I can write short stories and poetry, but film writing, brilliant film writing, is a talent - you can't just do it like that.
If you really want to make a relationship work, at some point in time, you're going to have to make some sacrifices and do some things that are a little bit uncomfortable.
After the 9/11 incidents, Islam has become a big question mark among westerners, especially Americans. The mass media constantly raise the issue of relationship between Islam and terrorism.
I've always loved the old epics that tell a simple emotional story, whether it's the tumultuous relationship between Rhett and Scarlett or Lawrence of Arabia's passion to get lost in a faraway place.
Every relationship probably has, at its inception, a hundred things that you could pick on and divert you from it, but the feeling is there. You figure out a way to make it work.
And one thing that I always believed and that I knew for certain was that I could never have sustained a personal relationship while I worked this hard, or while I was that driven this intensely by the story.
Before having children, I think I probably approached work very differently, and you become much more economical and pragmatic about your relationship to it.
I think that the relationship between two top-level athletes who are rivals is one of the most fascinating human relationships to explore. It's always one atom away from being a tragedy.
The film is about Joe discovering who his mother and father are and his relationship with them, and the identity crisis he goes through once he finds out who his parents are.
He who lives in our mind is near though he may actually be far away; but he who is not in our heart is far though he may really be nearby.
It's easy in a novel to be completely unambiguous about the relationship between animal and daemon simply by stating it outright; whereas you get very few opportunities to do this in an elegant way in a film.
I think I have a strange relationship with time. I'm not really aware of that time passing. I don't feel that I'm wasteful with time. But I'm not aware of it passing.