I mean I like pop music, and I like heavy music and, stuff that I like... the band I've signed on to our label right now; they're called The Sounds. They're kind of like a new-wave pop band.
I feel pretty used by the music industry, in that my contracts are written in such a way that I don't get paid. And that makes me wanna quit working for whoever thinks it is that I work for them. But I've clearly got a job that I can't quit.
I just like playing music and doing it with people that I care about. It doesn't really matter where. It's like, 'Why don't we just play piano in a small bar? Why do we want to make an arena full of people happy?'
The only thing I've ever wanted to do is really make people happy, offer some sort of positivity with music that I've written. The Chili Peppers do that for people. They're already established. I still want something that came out of me, and out of m...
Records were vitally important to the development of music and of all music cultures. With that being pushed by the wayside, I can't see an iPod uniting us. In fact it separates us, the streets are full of people bumping into lamp posts, listening to...
Any new ideas go into PiL. My inspiration is everything that the human being gets up to. I don't listen to any music when I'm in PiL-zone, because influences can poison your well. Otherwise, I listen to anything.
I've been in very many situations where I've not liked the other members of the band or they have not liked me. I grew up presuming that's the way music was made. It doesn't need to be that way. It's taken me years years to find that out.
I like to think of my style as pretty versatile. And I'd like whatever I record to reflect that to be mostly genre - to be just something that people want to listen on to see what I'm going to come up with next. That's the kind of music I'm into.
You can pick songs that sound like hits, but if it's not something that somebody wants to tell their friends, 'Hey man, have you heard this song?' then I don't think it's worth it. The only way to get your music out there, is for someone to tell thei...
I'm not technical. When I listen to music, I gravitate more toward the sonic aspect of it. The technical stuff of it, I get bored with it. These long solos? OK, already. You know your scales, big deal. I know it, too, but I don't want to do that.
When I was young, I had this contrarian thing, and my music for a long time was an extension of that. I didn't want to entertain people; I had too much vanity to be an entertainer. I think that some layers of vanity came off.
I went to my first drum n' bass rave when I was 16 and remember being terrified. Looking around, trying to figure out how to dance to this music, watching some girl in some hot pants, trying little ways to learn her movements.
I went to the Brit School for the performing arts in Croydon at 14, picking music as my main subject, and I'm so glad I did. I knew lots of people who'd gone there, so I always had my mind set on it.
As a musician, you want the music in as many hands as you can get it into. More importantly, I want people to get the music for the fairest price, and in the most convenient way. And that's really turned into iTunes when you're talking about selling ...
That's what music has always been to me: a feel. I've listened to the Stones many times and it still makes me have that feeling of joy every time. They are still around and put on a really exciting show. We also give it 120 percent.
We just sang real simple songs in a simple way that got to people. We didn't try to tart them up with orchestral arrangements and all the stuff. We were all blues fanatics. We like R+B and blues and simple, gut-feeling music.
Gone are the days when Virgin Records was owned by Richard Branson, a fan of music. Now they're all owned by some guy who bought it off some guy who bought it off some guy who wants a return on his investment.
If you look at a lot of the songs I've been involved in, there's always been this retro vibe. I started getting worried that I wasn't moving forward very much, nor was I even in tune with the music today. I almost scoffed at it.
I was asked to sing with Mavis Staples on a gospel compilation called 'Oh Happy Day.' And, you know, other than being totally intimidated at the prospect of singing with Mavis, I was honored. I don't really have much of a background in gospel music.
When I started performing, I played acoustic music, partly because that way you don't have to worry about interacting too much with other people creatively. Asserting myself in that way was not really a strong point for me.
I don't think about what I can't do or what I shouldn't be doing. I just think there are endless possibilities musically, really. And I'm very, very open to experimenting with different people and trying to find different methods of writing and makin...
