I'm from Tullahoma, TN which is an hour south of Nashville, and I grew up and wanted to be like Garth Brooks, so I moved to Nashville when I was 18 to chase a dream.
Time goes by at the speed of life Slower than a slow dance on a hot summer night Faster than the skin breaks on the edge of a knife And we just go on at the speed of life
I was lucky enough to first meet Elvis at his house in Bel Air and he used to invite different artists, singers and musicians, to come and jam with him at his house.
I think to just single out a highlight of Elvis's career is pretty much impossible. As far as being a fan of his, a lifetime fan, there were just too many highlights.
The first eight songs we were using someone else's monitors and it is hard to follow the changes when you are jamming if you can't hear those who you are jamming with.
I have got an anthology album out. The American version has got the same mixes but the European version, I remixed them in the studio and added a couple of things that I have always wanted to add.
My parents split up when I was about 2. I realize more and more how much I'm like my father. My gentleness comes from my mother.
Richard Julian was the one who told me to check out Cartola. Telling someone to check out Cartola is like telling someone to check out Tony Bennett, you know.
If somebody sings a song that I wrote, I feel like it's a nice point of validation for the song, because it shows that the song is able to stand on its own. I like that.
No, I've heard over the years that it's nice for them to see somebody who's like, you know, a well-known successful musician who's Asian. I've heard it from a few musicians, too.
Musicians always come off sounding a little bit pretentious, and a little bit... I don't know, hypocritical, from what they do, talking about strong issues.
If you put all the songs together that I've written on band records, and put it up next to my solo record, there's definitely a different kind of feel than Billy's songs.
I like girls who like the countryside, put on walking boots and can bend with the wind a bit. If you're going to live with me, you need to be able to embrace the countryside and wet dogs.
I have to thank my mum for kicking me out at 16 and making me stand on my own two feet - that's how I got here.
I'm not a fast, stream-of-consciousness lyricist at all - I know some guys who are, and if there is one skill I wish I had, it's that.
I've never understood musicians who don't enjoy doing promotional interviews. I just can't believe it. I always think, 'Your life must have been so brilliant before you were in a band.'
My kids have got to work themselves around my life, not the other way. That's how kids become brats, if you're there staring at them all the time going, 'Are you alright?'
I project love, music and love, and I pray for peace. A good song cuts straight to the heart; sometimes it doesn't need to be too many lines - of course, I do love a good story.
Sometimes I get in writing moods and I want to write a song every couple of days. Then sometimes I may not write a song for three weeks. It's just according to how it's hitting me at the time.
I'm flattered anytime someone has taken enough time to listen to me and make a connection to someone else, honestly. I feel very lucky that a lot of my influences are the ones that people will tweet to me that I remind them of.
Every time I went into the studio some engineer tried to impress me with how they're going to capture my sound with all kinds of tricks. But they limited the sound and never allowed me to play how I felt.