If I didn't like someone, I wouldn't want him calling me up when I was dying. I wouldn't want them having regrets that they didn't talk to me.
I'm an older woman who's not going to have a shiny pop song ever again, so that gives me license to do whatever the hell I want.
It's easy. You draw a red line on the ground, right? Then you wait for a chicken to come along. When he arrives, he puts his beak right on the line and he's hypnotized!
I think that providing obstructions in the live setting is when you get something that actually means something, as opposed to just aping your way through your greatest hits.
I had this revelation, you are a lot better at the between-song stuff than you are at the song stuff. That was devastating. And I usually find devastating things to be pretty valuable.
Soon after I was born, my parents moved to the South Florida area, and I've lived here ever since (with a few years of living in both Portugal and Brazil in my younger days).
Growing up, all I did was write about the fact that I'm from where I'm from. I was a big champion of where I was from and Wisconsin in general, and the Midwest.
We've always had our hardcore fans. But the general public has a love-hate thing about the 'Kinks.' It always leaves people with a question mark on their heads.
As an individual, I think you have to find your own path. I like the simplicity and purity of Hinduism and many elements of Buddhism. These are all means of accessing spiritual energy.
I can't stand tribute bands. It's nice, bless 'em, but it's not right. They can't capture the right spirit. You never see a tribute comedian, a tribute Les Dawson.
Buddy Rich was one of the most incredible technicians in the world, on this planet, but the only people he could really impress, who knew what he was doing was another musician or another drummer.
I've been performing since 1955. I'm going to have to keep performing till I die because I'm not going to die in some rocking chair with a big ol' beer belly.
When I first played the guitar without plugging it into an amplifier, the people at Fender were blown away. They couldn't believe the sound. I said, 'See, gentlemen, the world is no longer flat.'
You shouldn't even be writing this story if you haven't heard me play live. You can't write with the passion you receive until you see a Dick Dale concert.
When I start playing I'm just a rollercoaster of sound. I don't know what's coming next, I never do, and I sit and sign and talk to the people afterwards.
I told them if were going to do it were going to do it right, I'm not leaving 'til it's done. My wife, child and I slept in the studio. We cut these raw.
What we perceive things to be when they come out of our mouth is not what the listener perceives it to be. They think it differently. They're not your blood. They're not your mind. You get in an argument.
At the Grammys, you walk down the halls and everyone's got five security guards. You can't talk to anybody. You always feel out of place, like, 'Hey, the rednecks are in town!'
We actually added an extra electric guitar to beef up 'Need You Now', but we haven't changed any of this 'Own The Night' record at all for the international releases.
I see no kind of reason to not just try everything. I mean, I feel like we all have such varied tastes, and to not just try our tastes is a crime.
I don't want to say I hate remixes, because I don't, but I hate what instantly comes to mind now when people say 'remixes.'
