I don't care much about politics. That kind of witchcraft I stay away from because people end up dead. I'd rather die for music.
My relationship with Music Row has always been, from my end, optimistic and hopeful that there is more than one way to approach the writing, recording, and marketing of an album.
Everybody who I ever cared about has told me that they like my music: Bob Dylan, Paul McCartney, Al Green, The Spinners, Smokey Robinson. Everybody that matters.
My real interest in music was the old 78 records and the sound of the music. I loved it and began to realize that one of the main sounds on those old records I loved was the guitar.
I'd like a male to listen to my music and find it kind of fascinating, what a girl goes through when they get heartbroken or get sad or get hurt by something.
I wanna show that gospel, country, blues, rhythm and blues, jazz, rock 'n' roll are all just really one thing. Those are the American music and that is the American culture.
I'm quite arty. I didn't know whether to become an artist or musician but I realised I could paint with music. All my songs have colours.
Textures apply to everything I do. Even within my music, I like smooth things, and then hard and fluffy things, all giving them their place to shine.
I didn't have a lot of overtly political songs. I think it was more the actions of the group that were threatening to the authorities, and also our political philosophies apart from the music.
Some people think electronic music is cold, but I think that has more to do with the people listening than the actual music itself.
I didn't get into music to become a blues musician, or a country musician. I'm a singer-songwriter. In my book that means I get to do whatever I want.
I'm not interested in forcing my music on people, and that's what the whole music industry nowadays is based on is forcing stations to play it, forcing people to listen to it.
I progressed through so many different styles of music through my teen years, both as a player and a vocalist, particularly the jazz and pop of the early 20th Century.
When I listen to Radio 1 and hear five different tracks in a row using old disco samples, well that's plagiarism, that's taking other people's music.
I always like to say that the music I'd like to make is somewhere between Pan Sonic and Scott Walker. But I don't sing anything like Scott Walker.
There never seems to be enough hours in the day. At the moment I have no time to make new music because I've been doing so much promotion for this new single.
I meet people every single day who have heard the music and incorporated it into their lives. I feel like I have a tribe all around the world.
Joaquin Sabina is one of my favorites. He's like a legend. He's like our Bob Dylan, or our Bruce Springsteen. He's one of the most talented writers of our Latin music.
I feel like I've become less of a music snob and less of a snob about a lot of things because I realize I came off as such a bad person because of that.
I know too many musicians that have to tour on the same 10 songs, and they burn out. They get back to their house, and they have no reason to write new music. They are music'd out.
I have to play as much of the game as I allow myself to get the music heard. But it's not unlike the rest of the world, so I'm not as up in arms about it as I could be.
