I think 'The Girl with the Dragon Tattoo' is a good example of a film where you have to juggle a whole lot of information to follow that story, and even if you haven't read the book, it seems to go pretty well. And that is a film where the characters...
It was when my children were 5, 3 and 10 months old that I just felt the desperate need to get to know God through the pages of my Bible. And as a result, I started a Bible class in my city for the primary purpose of being in it.
Looking at the Batman pages is like revisiting my youth. My first seven years in New York were the first seven years of Batman itself. While my time on Batman was important and exciting and notable considering the characters that came out of it, it w...
The last thing I would do to this country is to even put my personal interests about the country's interest. I have never done that in my life, and I will never do it because I, you know, I was brought up as a very patriotic Egyptian, and this is not...
I was in love with a lot of people, because I was a student of the game of comedy - Carol Burnett, Jack Benny, Red Skelton, Jackie Gleason, Don Rickles, Red Foxx, Moms Mabley - who gets no credit, Richard Pryor, Bill Cosby, George Kirby. I loved them...
When I think about it, the happiest and most successful people I know don't just love what they do, they're obsessed with solving something that matters to them. They remind me of a dog chasing a tennis ball: Their eyes go a little crazy, the leash s...
I wrote 'Yellow Submarine' for the Beatles. I wrote the screenplay for 'The Games,' about the Olympic Games. I wrote 'Love Story,' both the novel and the screenplay. I wrote 'RPM' for Stanley Kramer. Plus, I wrote two scholarly books and a 400-page t...
Reading the several thousand pages of Christopher Isherwood's complete journals is an instructive corrective to the prissiness of reading fiction. Isherwood had faults that we'd say were unforgiveable in a novel (he was careful to distance himself fr...
I am glad you are happy--but I never believe much in happiness. I never believe in misery either. Those are things you see on the stage or the screen or the printed page, they never really happen to you in life.
On page 607, alluding to the end of my first marriage (and carefully remembering to state that that's none of his business), he very sweetly says that I 'might leave a wife, but not a friend.' Nice try. Neat smear. But he shouldn't be so sure....
I don't really know what an adverb is. A dangling participle? That sounds really rude. I don't know what character is, really. Plot seems vaguely juvenile to me. It's all about language, it's all about how you apply it to the page.
This is our skin and nobody has the right to crumple us like a paper only to find another skin to write on, and then another, ruining people like they’re pages, like they are somehow replaceable. Because that will only leave our delicate and fragil...
Perhaps these pages are more particularly addressed to poor students. As for the rest of my readers, they will accept such portions as apply to them. I trust that none will stretch the seams in putting on the coat, for it may do good service to him w...
I try to let go of the intellect and just tell the story. I only read the page I have in front of me on the screen. Then when the whole story is told, I print it, wait a week and read it.
Nearly all web publications are driven by the display model, which is in turn driven by page views. But we all know the web is shifting, thanks to mobile devices and the walled gardens they erect. The new landscape of the web is far more complicated,...
As much as I like it when a book I'm writing speeds along, the downside can be that an author becomes too eager to finish and rushes the end. The end is even more important than the first page, and rushing can damage it.
There is only as much space, only as much time, Only as much desire, only as many words, Only as many pages, only as much ink To accept all of us at light-speed Hurrying into the Promised Land Of oblivion that is waiting for us sooner or later.
In my mind, numbers and words are far more than squiggles of ink on a page. They have form, color, texture and so on. They come alive to me, which is why as a young child I thought of them as my 'friends.'
One thing I learned working at magazines was that if you couldn't get people to look at a page or a cover, then you were fired. It was all about how you create arresting works, and by arresting I mean stop people, even for a nano-second.
I confess to wincing every so often at a poorly chosen word, a mangled sentence, an expression of emotion that seems indulgent or overly practiced. I have the urge to cut the book by fifty pages or so, possessed as I am with a keener appreciation for...
The writer's object should be to hold the reader's attention. I want the reader to turn the page and keep on turning until the end. This is accomplished only when the narrative moves steadily ahead, not when it comes to a weary standstill, overloaded...
