Black America surely faces an existential crisis, but not the one imagined in the condescending news media - of somehow getting non-black America to be more just and generous. The truth is, we've already been through that, and there is nothing left t...
Elle Driver: Hmm, I'm sorry, Budd. That was rude of me, wasn't it? Budd, I'd like to introduce my friend, the black mamba. Black mamba, this is Budd.
Jacoby: I'm gonna teach you the meaning of pain. Elizabeth: You like pain? [hits pirate in the head with a pole] Elizabeth: Try wearing a corset.
Jack Sparrow: You seem somewhat familiar. Have I threatened you before? Will Turner: I make a point of avoiding familiarity with pirates.
[Barbossa pulls the bloody dagger from his chest] Barbossa: I'm curious. After killing me what is it you're planning on doing next?
Governor Swann: Do pass my compliments on to your master. Will Turner: I shall. [pauses] Will Turner: A craftsman is always proud to hear his work is appreciated.
Jack Sparrow: You think this wise, boy... crossing blades with a pirate? Will Turner: You threatened Miss Swann. Jack Sparrow: Only a little.
Barbossa: And I suppose in exchange you want me not to kill the whelp? Jack Sparrow: No, no, no, by all means kill the whelp. Just not yet. Wait for the opportune moment.
Lt. Gillette: This ship cannot be crewed by two men. You'll never make it out of the bay. Jack Sparrow: Son, I'm Captain Jack Sparrow. Savvy?
Mr. Gibbs: Leverage, says you. I think I feel a change in the wind, says I.
I agree with Balzac and 19th-century writers, black and white, who say, 'I write for money.' Yes, I think everybody should be paid handsomely; I insist on it, and I pay people who work for me, or with me, handsomely.
I've never bothered about my color. I never had that thing about being black. If the whole world was like that, maybe there would be more harmony and love. Maybe. I don't have a problem with being black in a white country or being with my people.
Kansas City, I would say, did more for jazz music, black music, than any other influence at all. Almost all their joints that they had there, they used black bands. Most musicians who amounted to anything, they would flock to Kansas City because that...
Black people have been qualified to be president for hundreds of years. George Washington Carver could have been president. I could go on with a list of black men that were qualified to be the president of the United States. So the Obama victory is p...
Youth is impulsive. When our young men grow angry at some real or imaginary wrong, and disfigure their faces with black paint, it denotes that their hearts are black, and that they are often cruel and relentless, and our old men and old women are una...
So I still seized the power, but I felt that if I officially made myself the boss, in black and white, it would be too intimidating for the other producers and the other men who worked on the show. In other words, I had the power, but I gave them the...
I don't think that everything on Broadway relates to us, and I think that's why we as black people don't always go to Broadway shows, but shows like 'What's on the Hearts of Men' has a lot of issues that can relate to black families, and that's why I...
What we're doing with Band of Brothers is trying to put it into human terms, so it is not just a flickering, black and white myth on a screen, it is a resonant story. I want the audience to recognize themselves in these men. They're not just mythic h...
It was rough being dark. I got heat from my own people more than anyone else. I remember going to my mom and saying, 'Why am I so black?' And she said, 'Because I'm black. You just gotta always work harder than the average bear.'
I grew up watching old black and white movies where Marlene Dietrich or Jean Harlow would go walking down some cobblestone street in ripped stockings and head into some smoky boite and sing for a pathetic living. That's so what I wanted to be.
Angry Black Neighbor #1: [looking at C's burned friends] They started out as white bread now they toast. Angry Black Neighbor #2: [to C] THEY LOOK BETTER NOW, DON'T THEY LOOK BETTER!
