When I started producing, I was just making music under all different names. 'Black Afro.' 'Super Grandmaster.' 'Mister Bull.' Like, the most stupid, idiotic names. 'Afrojack' was one of those idiotic names.
I thought that I would like to be affiliated with some school or institution. As time went on, I also decided on the subject that I wanted to get involved with in addition to music: it was Black Studies.
There was certainly, like, a rebellious, like, youthful rage in me. And there was also the fact of no getting away from fact that I am white, and you know, this is predominantly black music, you know.
I was the only punk rocker at my high school. And there were at least a handful of black kids who liked hip-hop. Both were kind of the new music of the day, and it was lonely being the only punk.
What is the black shadow? It's the running inner dialogue we have with ourselves all day long about our fears of being inferior as black people. It is our internalization of the white man's lie that blacks are inferior to whites -- the very lie that ...
If it supports the liberation struggle of Black people then it is good. If it is in opposition to the liberation struggle of Black people then it is bad. If it supports the liberation struggle of Black people then it is moral. If it opposes the liber...
Some white people hate black people, and some white people love black people, some black people hate white people, and some black people love white people. So you see it's not an issue of black and white, it's an issue of Lovers and Haters.
I would say I'm black because my parents said I'm black. I'm black because my mother's black. I'm black because I grew up in a family of all black people. I knew I was black because I grew up in an all-white neighborhood. And my parents, as part of t...
You’re playing the creepy vibe a little hard,” I said. “Might as well go for broke, put on a black top hat and pipe in some organ music.
Through the gaps in the books, Ryan could see someone in the next aisle over, moving slowly. Someone in black. Someone whistling. Ryan recognized the tune. It was the theme music to .
Frankly, I think that's something that black people in America have often done - finding ways under very, very difficult circumstances to be subversive, but also to push things forward. And I think that applies to music. I think it applies to dance. ...
The music I heard growing up, since there was no TV or cinema or record covers, I didn't know if it was black, white, hip, square, male, female... whatever. I'd hear melodies and things and got intrigued on that level.
About the only things that are unique to Earth are our biota and our culture. If aliens ever come here, they'd most likely be either biologists or music fans. Neither one has much reason to antagonize our armed forces.
Black people dance well because we start early - there's music being played everywhere. White people? They don't start dancing until they get to college, and by then, it's too late; the bottom don't move with the top no matter how hard they try.
There's a black sheep in every flock.
Thomas Leroy: [yelling to Nina over rehearsal music] The final act. Your final dance! You've tasted your dream. Touched it! Only to have it crushed. Your heart is broken. Wounded! Your life force fading. The blood drips. The black swan stole your lov...
I used to joke for years that I was a black man. I adopted the black culture, the black race. I married a black woman, and I had black kids. I always considered myself a 'brother.'
Eventually, some black thinkers believe, this "separation" may be the shortest route to an authentic communication at some future date when blacks and whites can enter into encounters in which they truly speak as equals and in which the white man wil...
When I talk about rock n' roll, to me, that goes back to the beginning of the 1950s. Blue suede shoes and sideburns, man. Pink and black coloured clothes. Turn your collar up, comb your hair in ducktails. And the music was cool. It was a whole cultur...
When reality television really hit, I just had a backlash towards reality. It seemed like a cheap way to make a product. And then when music reality and 'Idol hit,' I just didn't watch it, it seemed novelty. And of course the story of 'Idol,' this is...
In 1965, when great young white artists in the English-speaking world were successfully re-channeling hillbilly and black music - you know Bob Dylan, Ray Davies, Pete Townsend, Keith Richards - they didn't get any money at first. They were all broke.
