Maybe it's because One Direction was just on 'SNL,' or because I'm playing The Wanted on my Top 40 show, but in terms of boy bands, we're seeing this resurgence, and it's happening, whether you like it or not!
The Moon was the most spectacularly beautiful desert you could ever imagine. Unspoilt. Untouched. It had a vibrancy about it and the contrast between it and the black sky was so vivid, it just made this impression of excitement and wonder.
George Bush made a mistake when he referred to the Saddam Hussein regime as 'evil.' Every liberal and leftist knows how to titter at such black-and-white moral absolutism.
I'm not just gonna go after the black Jesse Jackson they all want to make fun of, but I know the wrong people are gonna laugh at that. I don't want to play to that crowd. I don't.
Healing is a different type of pain. It’s the pain of becoming aware of the power of one’s strength and weakness, of one’s capacity to love or do damage to oneself and to others, and of how the most challenging person to control in life is ulti...
The Republican Party just isn't held in high repute in the black community. Under Bill Brock we were reaching out to broaden the base of the party. We have to go back to that.
Many interviewers when they come to talk to me, think they're being progressive by not mentioning in their stories any longer that I'm black. I tell them, 'Don't stop now. If I shot somebody you'd mention it.'
I took to wearing a black tie known as the Ascot, with long drooping ends. I had seen pictures of painters, sculptors, poets, wearing this style of tie.
When I was 10 or 11, my grandmother had a scarf. It was black, but a long one. I used to wrap it around my head and say to them that 'I'm a cleric, you need to pray behind me.'
Sean Connery wasn't the Scottish James Bond and Daniel Craig wasn't the blue-eyed James Bond. So if I played him, I don't want to be called the black James Bond.
Traditional broadcast media seems old-fashioned and vague to me. When I watch television news, I'm aware of what skilled journalists they are, but I find it hard because of the corny way they present it.
One reason I do the live shows - and the monthly speeches at public radio stations - is to remind myself that people hear the show, that it has an audience, that it exists in the world. It's so easy to forget that.
For me to do a story, something has to happen to someone. It's a story in the way you learn what a story is in third grade, where there is a person, and things happen to them, and then something big happens, and they realize something new.
My first job on the radio was writing jokes for a Baltimore DJ called Johnny Walker, who was sort of a '70s era shock jock who all the teenage boys listened to in my school.
I'm a reporter - if I don't interview someone, I don't have much to say, and I definitely can't just sit down and knock out 800 words on any subject you give me.
Monofilament is what you use to go fishing. The line on your fishing rod is probably going to be black. You get to the end of the line and you tie on this clear plastic, thin thread called monofilament.
The sea stood up before him, foaming, torn by lightning bolts, opening terrifying mouths that gobbled up the dense, hard black rains unleashed by the sky like hate.
Yet a mysterious gate lay open within her shadow; and all my flesh was aware of black pathways and hovels and the silence one observes when the dead are near.
I'm half-black, half-white, so I basically put it like this: I can fit in anywhere. That's why I write so many stories from so many different perspectives, because I've seen so many.
The problem is that television executives have got it into their heads that if one presenter on a show is a blonde-haired, blue-eyed heterosexual boy, the other must be a black Muslim lesbian.
I'm from the South, where if you walk down the street and there's somebody behind you talking with a Southern accent, you can't tell whether it's a black or a white person.
