I think things like food, the food of the south is sort of the common tie that binds us all, Black and White, the sense memories. It's a very particular part of the country.
Mr. Cosby wanted to do a show not about an upper-middle-class black family, but an upper-middle-class family that happened to be black. Though it sounds like semantics, they're very different approaches.
A racially integrated community is a chronological term timed from the entrance of the first black family to the exit of the last white family.
I think our biggest problem is lack of real, honest communication between black men and black women. A lot of men talk amongst men, and a lot of women speak amongst women.
I think the number one thing Black women and all Black people should be paying attention to is our health.
I started 'Society's Child' on a bus in East Orange as I was going home from school. I saw a black and white couple sitting there and started thinking about it.
What we hope to achieve is a society that doesn't value a white man because he's a white man, but also doesn't value a woman because she's a woman, or a black because he's a black.
I do remember being teased by my cousins on my mom's side for not being black enough. And then I'd spend the summer with my dad and be sent to all white summer camps where I was 'that black girl.'
I don't understand people who dream in black and white. I just don't get it. My dreams have always been vivid color.
It's not even about black and white anymore, because so many people are from mixed backgrounds and mixed ethnicities, and it's just a great time to be able to pull all that together.
Our world was Northern, black and white, so it was a great thing for my sisters and me to sit down at Christmastime and watch these fabulous MGM musicals. All that color, all those beautiful costumes.
As I've said repeatedly, Republicans are very good at describing things in black and white; Democrats are very good at describing the 11 shades of gray.
A black dress is beautiful! It's a good choice. It could be the wrong choice at certain events or situations, but it's very rare that you see a girl who looks bad in a black dress.
It's always good to be around people who get it and understand because it's a huge difference working on a black set. I can walk on a black set and not have to worry about my hair because they know.
When you go back to 'Friends,' and you look at that as New York, there's no black people. That's not real. You're in New York City, and there's no black people at all. That's a little funny.
Life is about the gray areas. Things are seldom black and white, even when we wish they were and think they should be, and I like exploring this nuanced terrain.
When I was young, I had a very clear point of view on things in life, on moral questions. There was a black and white viewpoint on my world. As I've gotten older, I see the grey areas appear.
The way I was brought up by my parents and guided through my football life by the influences of various managers means that in some ways I am black and white.
My Soul to Keep is the ultimate love story with a black man and a black woman. I call it the ultimate love story. It's about an immortal. We're shooting for this Fall and that's been a six year development right there.
My first web series, 'Dorm Diaries,' was a realistic mockumentary about what it was like to be black at Stanford University. I'm black and I went to Stanford. Boom. Easy.
For years I'd thought my color was black: deep, dark, thoughtful, mysterious. Black, you can hide behind. But now I know it is red.
