No artist is well served in thinking what will happen to their works. The best one can hope is that they'll enter the mainstream, and people will pull bits and pieces from them.
I've got one idea I want to do for a film and you know I just enjoy myself doing bits and pieces.
I'd go on the train to castings, changing from my school uniform on the train. I carried on like that for a few years, getting jobs in bits and pieces.
All of my characters tend to be montages of different people I've met: little bits and pieces of their personalities put together.
I always draw from things around me that people around me have gone through... The story that could be taken really literally is not from my life exactly. But bits and pieces are, and the sentiment behind it is.
I used to love looking at a recipe, getting all the bits and pieces in the shops, getting them ready and prepared... I don't really have the time to do that anymore.
With every interview you feel like you lose a piece of yourself, and with every bad review you become just that little bit more bitter. It is horrible in a way.
I'd like to do a piece of Shakespeare. Any upcoming Shakespeare film. Just a bit to say I did a classic.
I was molded, spent my time underneath a lot of goo. And then the bits and pieces were sculpted. It took probably 10 days to create each character after all those camera tests.
When you're writing a story in bits and pieces, month in and month out, there really isn't time or space for reflection, no room to learn what those scripts had to teach you.
I was doing acting work at Fox - bit pieces with Greg Peck in The Gunfighter and things like that - and grew up more or less as a Fox contract player in about two years.
One picture puzzle piece Lyin' on the sidewalk, One picture puzzle piece Soakin' in the rain. It might be a button of blue On the coat of the woman Who lived in a shoe. It might be a magical bean, Or a fold in the red Velvet robe of a queen. It might...
If you can't imagine it, think clumsy silence. Think bits and pieces of floating despair. And drowning in a train.
It was a piece of thoroughly picturesque and proper violence. I like a violent man, really, a man who's a bit of a brute in a decent straightforward way.
The day will always have some bit of weirdness in it like a piece of fruit with one bad spot. Spit it out as fast as u can and eat the rest!
I read a whole bunch of bits and pieces over the years, obviously from the fan magazines and the rest of the stuff, and I just wanted to give a little more insight into what's happening in my personal life.
I used to write bits and pieces of comedy material for various comics that were at the Windmill... as well as my film job, I was under contract, I was allowed to do that and everything.
In television, you are of necessity working in bits and pieces and scenes, and things are out of order, and you never can have the same sense of how will this look when it's all put together, what will the effect be.
With the work that I do as a director, I've got dialogue, camera movement, and character blocking to help create a tone to the piece. In photography, those elements are somewhat void so that tone becomes a bit more subtle but still equally important.
I'd never done a straight play before, never, and it was very hard work - really, really hard work. It was dense, really wordy, and I was determined to learn every word of it - not just skip over bits and pieces.
Well, it's true that I have been hurt in my life. Quite a bit. But it's also true that I have loved, and been loved. and that carries a weight of its own. A greater weight, in my opinion. It's like that pie chart we talked about earlier. in the end, ...
