I know what it's like to have someone coming home who looks at you not in the way they used to in the old days, and I've seen my own face contorted with sadness and rage in the mirror.
For every big American movie I've done where I was the supporting guy, I've gone back home to Canada to do supporting movies where I was the lead.
Since the new film has been out, I'm doing quite a lot but then in July I will start doing things at home. I have to fix the house up, see the grandchildren and such.
The challenging thing is that we go home after doing the run-through and the writers stay there working, so sometimes I get script changes delivered to me at midnight. It's constantly shifting.
If I'm at home for the weekend - and that is almost never - I tend to get twitchy at about eight o'clock in the evening because my body clock is timed to go on stage. I don't know what to do with myself.
I always think the second worst thing in the world is to go on stage at night, and the first worst thing in the world is sitting at home at night. For me, it's scarier to not be doing it than doing it.
I fantasize about having a manual job where I can come home at night, read a book and not feel responsible for what will happen the next day.
I've been doing stand-up just about every night since I started in 1989. It's my home base. But I'm into doing comedy in all mediums, platforms and situations.
I'm never without Nerds and peanut M&M's. I have a sweet tooth! I have an unlimited supply on hand at home, but the candy packs in my purse are not for sharing.
When I started editing on my home computer, I said to myself, 'Well, I could be at home studying for a class or I could be at home editing a video.'
Our favorite: a former garbage dump converted into a riverside park. I first ran there more than 30 years ago when a marathon passed through this park that later became home to Pre's Trail.
My father was a CPA. He worked hard in the aircraft industry, and would come home more and more infrequently. He was about to leave my mother, which he did when I was 15.
I decided to quit 'Survivor: All-Stars' in order to be closer to my mother, who ended up passing away from breast cancer seven days after I returned home.
I reached that day that I always thought might happen, where I say to myself I don't want to do this anymore. I'm looking for some stability. I want to stay home.
I have a husband and two kids, and they're usually around when I'm shooting, then I go home. We have dinner, and that's what I'm dealing with when I go home.
I created an online program that has audio lessons and PDF worksheets and two hours of video. So it's like a course you can do at home. And people are loving it and getting jobs from it.
I'd been told that when you first put your feet on African ground, you'll be hit by a feeling of overwhelming understanding, like you've returned home and suddenly belong. Quite frankly, I didn't feel that.
I have a studio in a barn at home - we rehearse there, we film there and we record there. It's fun to hang out with my guys and see what comes out next.
My first holiday to San Francisco in 1998-99 was supposed to be a two-week vacation but I ended up staying five weeks and nearly didn't come home.
I feel at home in Scotland and go back whenever I can. I've played the Edinburgh Festival twice, and I get the train across the Forth Bridge to Lochgelly, just to see it.
Pensacola isn't Florida, really. It's the Panhandle. It's right up there near Alabama and Louisiana. It's, like, a stroll away from New Orleans. I feel like New Orleans is home.
