I had to learn to dance for 'The Adjustment Bureau' and it was nearly impossible. I turned up with my knees knocking in my leotard and went home and cried my eyes out.
When I'm on stage, I feel very much at home - within a theater, within an ensemble - so this entire process is something I feel very attuned with.
As a child I had dealt with a lot of loss and grief. I was constantly losing my parents, losing my home, constantly moving around, living with this stranger, that stepfather, or whatever.
I wasn't popular in the home office because I wasn't chicken. I'm just a risk taker. I have gut instincts.
I noted that people are happy here in India. When I went back home, people had everything in the materialistic sense and were surrounded with abundance, but they were not happy.
I came home for a week after I finished filming 'Rambo' because, after being in the jungle for three months, all I wanted to do was walk in the Highlands.
I had known Cole Porter in Hollywood and New York, spent many a warm hour at his home, and met the talented and original people who were drawn to him.
Well, they're Southern people, and if they know you are working at home they think nothing of walking right in for coffee. But they wouldn't dream of interrupting you at golf.
Who says Australia offers not a home for every poor Englishman, or any other countryman that finds his way to our shores? And what sort of thanks do we get for it?
The benefits of feminism for someone like my husband are fantastic. He can stay at home with the kids, he can take them to a park, he does the school run.
I always make the joke that I go home, to one of my homes, to go and do laundry so I can go on the road again.
I am a proud Montrealer. Jobs will take me where they take me, but nothing will ever be able to convince me to leave my home.
If it gets to the point where I actually physically cannot have a child, there's plenty of children in the world that need a stable home and loving parent. I'm so down for adoption.
There's such a fan base for 'Dark Shadows'. I remember watching the show as a kid, but I wasn't an ardent fan. I didn't run home from school to watch it.
I was very independent growing up, but there were things that were bothering me that I never told anybody. I would talk to our animals at home.
The only place I considered home was the boarding school in Yorkshire my parents sent me to. It's easier, isn't it? I mean, it gets kids out the way, doesn't it?
No, I'm so well-known at home I think they think of me like a piece of comfortable furniture that's always been around that they're not going to throw out.
'Wipeout' is a giant obstacle course for adults of all shapes, sizes, and ages. Whoever wins takes home $50,000 and gets to brag to all of their coworkers that they made it out alive!
The more you can create a structure by which people live in a fantastical situation and by which they will act, and the more you lay that out for the audience, the more they will feel at home in it.
I'm pretty shy when I go home because I was pretty shy growing up, and I think I go back to that person.
I'm a workaholic, so I ignore the signs of fatigue and just keep going and going, and then conk out when I get home. It can be pretty stressful.
