It's what everyone is after, I mean they want success and when they get it it's an incredible pressure but what you have to do is try to keep the big picture in view.
It's big production. It's huge. It's using studio technology to your benefit. You don't go in and play live and then just take the tapes and get them mastered. You have to create.
I have a very big sweet tooth and I love treating myself to something that I wouldn't necessarily eat during the tournament such as a nice-sized cake.
Ultimately, I'd love to see a legacy company that has alumni that come out of it and go on to create other big things. A maple-syrup mafia, a HootSuite mafia.
I look at myself as an audience member. I still love movies, and I still go and sit in the back of the big dark room with everybody else, and I want the same thrill.
I love going to the movies and getting Raisinets, a big tub of popcorn and a Coke. That's definitely a guilty pleasure because I can't be doing that all the time.
I hated golf when we first started, but a big part of the training process was falling in love with this sport, so I went on tour with the UCLA Team.
I'm a big comic book person. I love Captain America. I like John Henry. I'm hoping to play one of the superhero characters that's coming from Marvel.
I like 'Elle' magazine. I love things online, like when all the big brands have a fashion show, I like to see the new collections.
To me, the real thrill is in making the music, and then I just trust it to find its own audience, and at times it's big and at times it's small, but that's beyond my control.
My eyes went blank, and I stared off, and the music started. It was raining, and the sun was shining at the same time, and there were these big bay windows, and there was the blue in the sky, and the sun on the trees, and it was drizzling.
But the star thing I can live with. The music I can't live without. And that's how it lays out for me, you know. I got as big an ego and enjoy the attention.
The star thing I can live with. The music I can't live without. And that's how it lays out for me, you know. I got as big an ego and enjoy the attention.
Folk music is where I come from originally. The very first thing that introduced me to playing guitars at all was skiffle - my cousin had been in London the summer that skiffle was big.
I played Big Band jazz music. I wasn't into rock and roll. I was just there because it was a living. I surprised everyone. I'm still surprising people.
I know a lot of people who wouldn't be comfortable with everything that comes with being in a band as big as Nirvana. The thing that I don't understand is not appreciating that simple gift of being able to play music.
I believe that in music and in a lot of things it's kind of like surfing, you can have a really big wave sometimes and then you can have a smaller wave.
I get offers to do huge-budget music videos with big production companies all the time, but I have no interest.
I had a big background in listening to classical music and I started trying to compose, like I was playing the guitar but I heard an orchestra in my head.
I think people in electronic music are trying to get these big features: 'Oh my gosh, I'm gonna get the biggest pop star to feature on my track.'
My interest in his new toy, the Theremin, isn't very big. It simply does not fit into my way of playing music. I do not want to fiddle around with my hands in the air.
