A picture was a motionless record of motion. An arrested representation of life. A picture was the kiss of death pretending to possess immutability.
I threw my 20th birthday party at Brown, and I didn't even have to say to anyone not to put pictures on Facebook. Not a single picture went up. That was when I knew I'd found a solid group of friends, and I felt like I belonged.
I like to take pictures of lots of things: people-such as my nephews, my dogs, and just interesting objects that I see. For instance, I might take a picture of flowers by the side of the road, an old sign or a fence.
For me, when I picture the person I want to end up with, I don't think about what their career is, or what they look like. I picture the feeling I get when I'm with them.
Even if you're walking through the airport or going to pick up your mail, if you meet a fan and they have a camera, they will take a picture of you and millions could potentially see that picture - if it's picked up by a blog or whatever.
And, since the model he faithfully copies is not going to be hung up next to the picture, since the picture is going to be there on its own, it is of no interest whether it is an accurate copy of the model.
Painting picture by picture, I followed the impressions my eye took in at heightened moments. I painted only memories, adding nothing, no details that I did not see. Hence the simplicity of the paintings, their emptiness.
I have to write what I can write, and writing the text of a picture book is like walking a tightrope, if you ramble off... As my friend Julius Lester says, 'A picture book is the essence of an experience.'
There is something about Prince William and Prince Harry that brings real modernity to the British royal family. They are also very open, human, and kind, and this is what I have tried to capture in the pictures I have taken of them as well as in my ...
I began making pictures because I wanted to record what supports hope: the untranslatable mystery and beauty of the world. Along the way, however, the camera also caught evidence against hope, and I eventually concluded that this, too, belonged in pi...
We are all in this together. We want to have, I suppose, a single point of entry so that anyone coming near a disability service can get a very complete picture. Government needs to understand that picture, and we need to be able to offer somebody a ...
I thought that it would be easier to learn that if I worked in motion pictures. So I went to work with one motion picture producer who was developing a color system. This didn't do to me much good. All I did was pick filters for the camera.
I am not a picture guy. I like to live in the present and keep the image of the past vivid in my mind. I don't need the precision of the picture.
Every picture has its own demands, and every picture stimulates something within you to tell it a certain way. I don't know what that is; I don't think too much about that.
One of the walls of my bedroom was a collage of about 15 years of baseball photos. I would cut out the baseball pictures from every issue and I had this huge montage of thousands of pictures.
I really miss you and I still have that one picture of you, where your eyes had no point of view, but pictures say nothing and this one will stay in my minds room.
People have asked me a lot, 'What comes first? The pictures or the story? The story or the picture?' It's hard to describe because often they seem to come at the same time. I'm seeing images while I'm thinking of the story.
Charlene Duggs: [In a snit over breaking up] Now don't go tellin' all the boys how hot I was. Sonny Crawford: [Sadly] You wasn't that hot.
Coach Popper: [to his team taking laps] If you all didn't jack off too much, maybe you'd stay in shape.
Photographer: I got your picture man, I got your picture! David Mills: Oh yeah? Detective Mills, M-I-L-L-S, fuck off!
Joe Gillis: You're Norma Desmond. You used to be in silent pictures. You used to be big. Norma Desmond: I *am* big. It's the *pictures* that got small.
