Kids today aren't listening to music audio-only. They're picking up a CD and looking at the lyric sheet and wondering why the pictures aren't moving around. Who wants to do that? It's like Bam Bam Flintstone hanging with the dinosaurs vs. Elroy Jetso...
It's rare that I'm able to get to my desk in the morning without stopping halfway there, turning around, and going in the opposite direction because of a pressing need to straighten all the pictures on the walls, floss my teeth a second time, and mak...
One of the things that's important for anybody adapting source material that is primarily a male buddy picture is to find ways to latch on to strong female characters in the piece and bring them to the forefront and celebrate their point of view alon...
When I'm talking to groups that are all men, we talk about how the masculine role limits them. They often want to talk about how they missed having real fathers, real loving, present fathers, because of the way that they tried to fit the picture of m...
Teddy Brewster: [showing Einstein a photo] This is the picture I was telling you about, General. Here we are, both of us. President Roosevelt and General Goethals. That's me, General, and that's you. Dr. Einstein: My how I've changed.
Marty McFly: He laid out Biff in one punch. I didn't know he had it in him. He's never stood up to Biff in his life! Dr. Emmett Brown: [looks at the picture, realizing the implications of Marty's statement] Ever?
Leigh Anne Touhy: We have been here for an hour, and all I see is people shooting the bull and drinking coffee. I want to know who runs this joint? [the welfare worker points to a picture of George W. Bush]
You don't make a photograph just with a camera. You bring to the act of photography all the pictures you have seen, the books you have read, the music you have heard, the people you have loved.
I have always had strong maternal instincts. Even when I was still a child I cut out pictures of prams from newspapers and imagined the feeling of pushing my own pram through fresh winter snow and seeing the wheels' tracks behind me in the snow.
The artist Paul Klee described drawing a picture as taking a line for a walk. I have borrowed his words to explain my approach to writing; when I write a novel it is like I am taking a thought for a walk.
Luxury is anything that feels special. I mean, it can be a moment, it can be a walk on the beach, it could be a kiss from your child, or it could be a beautiful picture frame, a special fragrance. I think luxury doesn't necessarily have to mean expen...
Your whole life and the story of your journey is the landscape picture on the front of the box of a 1,000 piece puzzle. The pieces are each a small sticky note that ends in mid-sentence. You simply need to figure out where each one starts and ends.
Sometimes when I'm watching television and something, an image, will come on that has to do with 9/11 or some of these families telling their stories, or children talking about drawing pictures of airplanes flying into towers, you know, I find myself...
I had a book that was given to me as a kid that was called 'Faeries.' It was this dark, sinister book with pictures that used to scare me because they were these creepy little creatures. But, I was always really drawn to that fantasy world, more than...
My mother always kept library books in the house, and one rainy Sunday afternoon - this was before television, and we didn't even have a radio - I picked up a book to look at the pictures and discovered I was reading and enjoying what I read.
As a kid, I grew up on a farm in Florida, and I did what most little kids do. I played a little baseball, did a few other things like that, but I always had the sense of being an outsider, and it wasn't until I saw pictures in the magazines that a co...
Yeah, in my scripts, I don't tend to describe landscape too clearly because I like to keep it really basic and sort of let people paint their own picture. I don't find it helpful to spend a page describing a setting, except for maybe a few key things...
Strictly speaking, there is no such thing as collective memory--part of the same family of spurious notions as collective guilt. But there is collective instruction....What is called collective memory is not a remembering but a stipulating: that this...
Even the pictures I was doing at college - a little narrative based on a butterfly catcher, or a chimney sweep - the images were always telling stories. They were all scenarios and moods which I storyboarded and worked through - it's exactly what I d...
Why take notes? The obvious reason is to remember. Visual note-taking translates what we hear into pictures that give context, color, and meaning. By adding symbols, visual metaphors, likenesses of people, and room layouts, we add several dimensions.
This is me being sad. Maybe you think I'm being happy in this picture. Really I'm being sad but pretending I'm being happy. I'm doing that because I think people won't like me if I look sad.
