With the '60s era and Motown, my grandparents actually introduced us to that when I was younger, so I grew up listening to the Jackson Five, Aretha Franklin, The Temptations, The Supremes and Diana Ross' solo stuff. I just loved it.
No one wants their stuff stolen. No one wants their physical person harmed. If you understand the implications of those two truths, you can come to see the egregious moral and practical problems of a state-managed society.
I think video games and that stuff should be as violent as possible, but age-appropriate. It should be realistic. When it's not realistic you run into kids running around shooting people and not realizing the consequences.
I'm sorry, 'herbal medicine', "Oh, herbal medicine's been around for thousands of years!" Indeed it has, and then we tested it all, and the stuff that worked became 'medicine'. And the rest of it is just a nice bowl of soup and some potpourri, so kno...
I've always got stuff in my head in case I meet somebody like Steven Spielberg or someone like that, where I can hopefully say something to them that nobody else has ever said and get a laugh out of them.
I'm looking for a feel and I have to find what that feel is before I can move on from there. I'm not necessarily catching stuff in such a simple way - I don't need to. So, I'm going for something else.
Gods should be iridescent, like the rainbow in the storm. Man creates a God in his own image, and the gods grow old along with the men that made them... But the god-stuff roars eternally, like the sea, with too vast a sound to be heard.
And then you start getting into the technical side of it and the aesthetic side and with those areas you can come up with new ways to visualise things, new ways to render and use the computer to make things look different and new and stuff like that.
You know a lot of what worked on this was taken from Harry Potter 2, the little Doby character, we had a lot of our skin stuff worked out and that helped a lot. We have a lot of exchange happening.
You can laugh at somebody because they are innocent, and because they are naive or they are about to walk into a wall, but if somebody's giving you stuff, if somebody's talking, giving you their take on things, what makes you laugh, generally speakin...
It's an embarrassment of riches because you have directors who don't better. You end up with so much stuff going on the screen that you don't know where to look, and that's what I consider self-indulgent.
This band makes sure that we have whole sections of stuff that are free form so that they don't know what we are doing next, that is the fun part of playing. You are playing something that you haven't ever played before.
So I learnt a few country western songs, I bought a chord book, and right away I started writing my own stuff, which nobody else did that, I don't know why.
The word 'code' turns out to be a really important word for my book, 'The Information.' The genetic code is just one example. We talk now about coders, coding. Computer guys are coders. The stuff they write is code.
Surround yourself with people you like and make cool stuff with them. In the end, at least in my experience, what you do isn't going to be nearly as interesting or important as who you do it with.
I sublimate different parts of my personality through my characters. Which is worrying, as some of them can be a bit nasty. I'm pleased the stuff on the page isn't inside me any more.
Although I'm a huge fan of Ben Kweller, I don't think I'd cover one of his songs, simply because there's just so much of my own stuff I wanna do.
In a world where discovery is more important than delivery, it's the people who find, remix and direct attention to old stuff that should be rewarded, not the people who deliver it or sit on it waiting for someone to show up.
And I know how many DJ pools have grown and I know how DJing has grown in the overall, but that was the technical side of it to me. DJs were rolling around, looking for stuff to buy and looking to see what was in the store when they get there.
We're dancing from here, from inside, not from outside. You could look at anybody throwing their leg and kick their leg up and a million pirouettes and do all kinds of tricks and stuff like that. But that's not what dance is really about.
When no one knows you, and you're just trying to break into stuff, it's so good because you can write whatever you want and just say it; it's just between you and the audience. There's no process or worrying about anyone else interfering with what yo...
