When you're a storyteller, part of the process of storytelling is the kind of communion you form with the audience to whom you're telling your story. If some segment of the audience doesn't like that story, it doesn't feel good.
In documentary films, you're a storyteller using found objects. You still have to have a story arc and all the elements that make a good story. It really helped me mature as a storyteller.
The greatest compliment a writer can be given is that a story and character hold a reader spellbound. I'm caught up in the story writing and I miss a good deal of sleep thinking about it and working out the plot points.
'Restaurant Man' is kind of the story, an unabridged story of what happened in my life, the good bad and ugly. Some people might glean some life lessons. It is honest, not written as a press release.
A good scenario doesn't make a good science fiction story - but it's a setting within which a good science fiction story might be told.
Let's use our stories to encourage listening to one another and to hear not just the good news, but also the pain that lies at the back of a lot of people's stories and histories.
It sounded good. It was a story that Victor Conte told me to use. I was contacted by Dr. Goldman, and that's how the story came about. And that was my first time ever meeting, or speaking, to Dr. Goldman.
I am obsessed with story. I had a late awakening in life. In college was the first time that I understood what you could do with a story and what a good novel is - literary value and subtext and irony and everything.
Hollywood has its own way of telling stories. I was just telling stories that I was familiar with. And it's what I want to do in the future: I want to take my audio cinema and put it on the screen.
I don't know. Only God knows where the story ends for me, but I know where the story begins. It's up to us to choose, whether we win or lose and I choose to win.
American violence is public life, it's a public way of life, it became a form, a detective story form. So I should think that any number of black writers should go into the detective story form.
Doing a story about my mundane, waking life, how much I don't like my job, or breaking up with someone, I don't think so. Those stories don't interest me that much as a general thing.
My life has been a dream. If someone had to write a story about it, it would seem a little unreal. It's the kind of story I would read and say, 'Nah, that's not possible.'
Truth is stranger than nonfiction. And life is too interesting to be left to journalists. People have stories, but journalists have 'takes,' and it's their takes that usually win out when the stories are too complicated or, as happens, not complicate...
My first instinct was to cast as close to the short story as possible, but then I realized that I needed actors who could go for it and that they had to function well as a couple in a love story.
I love illustrating for other writers because I am given stories I never would have thought of, and my work as an illustrator is always in support of the story.
I'm a storyteller. I love to tell stories about brands. I love to tell stories, period. I like painting pictures through the words, and that's what I do.
All my stories are about the action of grace on a character who is not very willing to support it, but most people think of these stories as hard, hopeless and brutal.
I like to compare the holiday season with the way a child listens to a favorite story. The pleasure is in the familiar way the story begins, the anticipation of familiar turns it takes, the familiar moments of suspense, and the familiar climax and en...
Without trials and tribulation, there would be no hero. Without a hero, there would be no story. Without a story, there is no life as life is made up of vignettes of loving, learning and overcoming.
In fact, some reviewers have said that as they got into the story they forgot that the protagonist is a black woman. They were moved by the story - by the people as a whole - and not by the little things.
