After Lock, Stock, all these really nasty small town characters came knocking at my door trying to tell me stories, and somehow I ended up with this guy whose brother was feeding people to pigs, and that's what he did to get rid of people.
I know I'm never going to probably see the Taj Mahal or, you know, climb Mt. Everest, but I can still maybe influence peoples' way of thinking by a story that I do, by something I learn about the world.
Stories, as much as we like to talk about them, retrospectively, as emanations of theme or worldview or intention, occur primarily as technical objects when they're being written. Or at least they do for me. They're the result of thousands of decisio...
But to make a long story short, I decided that I was going to run, and I announced that I was going to run for president in Florida, I would be the favorite son from Florida, and that would stop Johnson and Kennedy from dividing up the state.
These days we're all hyper-aware of the canonical way in which stories are supposed to play out - people are taught all about three-act scripting and where to put the reversal and all of that - and I think we can do more interesting narratives.
I decided to become an author when my grandmother taught me to write, when I was six. I can still recall the sensation of being able to turn words into stories. It was a miracle.
I've been interested in writing and storytelling since I learned to read, but it wasn't until I read Dylan Thomas, when I was 14, that I became interested in language itself, and saw it as more than a transparent medium for a story.
We must rip the foundations out from under all the bastions of human reasoning that say, "I don't need God!" We must demolish every non-God story of life. We must pulverize every God-is-not-good life narrative.
I encourage anyone who has gone through hardships to look back through their life’s chapters and see what can be turned into a book. For you never know what heartache God, one day, can turn into a redemptive story.
I think cinema should provoke thoughts, sure, but using it as I soapbox I think is the wrong place. I never want to be part of something like that, where there's an agenda there that's not about telling a story, where its someone getting on a soapbox...
As kids, we spontaneously sing and dance and tell stories, and along the way, someone comes and says, 'No. You shouldn't be doing that.' And we slowly begin to unlearn our passions. I think you have to hold on to those things.
The novelist in me is probably hiding behind all the stories I write, looking for ways to connect them and continue the conversation with readers. Maybe I'm writing one long narrative, and each book, however different from the last, is just a chapter...
We didn't have a phone when I was a kid, and I was too shy to smash any public phones, and our town didn't have a pool hall either, so I had to hang out at the public library - and anyway, I told myself stories.
In Los Angeles you get the sense sometimes that there's a mysterious patrol at night: when the streets are empty and everyone's asleep, they go erasing the past. It's like a bad Ray Bradbury story - 'The Memory Erasers'.
Where story comes from, I don't know. I know that I become obsessed with something. An idea, an image, a person, the way a person talks. And then something starts happening that I can't explain, and it has a lot to do with language.
I come from a school of people, folk singers, and the tradition there is troubadours, and you're carrying a message. Now admittedly, our job is partly just to make you boogie, just make you want to dance. Part of our job is to take you on a little vo...
When I was 16, I knew I was gay. I loved a lot. But I lived as a straight guy, because there are people in my town who don't understand my story. I never told. I never wanted to show what was inside my heart.
What Christopher Nolan and I have done with 'Superman' is try to bring the same naturalistic approach that we adopted for the 'Batman' trilogy. We always had a naturalistic approach; we want our stories to be rooted in reality, like they could happen...
The characters I've played as an actress have been really challenging and emotionally rewarding, but there was just something missing. I was finding over and over again that directors were looking to me to help with troubles on set as far as characte...
But the most important thing about that story, which is not often told, is that as a result after the Cuban missile crisis, immediate steps were taken to correct our inability to collect on the movement of nuclear material out of the Soviet Union to ...
It's absolutely of no importance who or what V was under the mask. He isn't a who or a what, he's an idea. The thing is, you couldn't continue it. Now and then the idea of a sequel has been raised, in vague forms, but I think it would be a bad idea. ...
