To be honest, marriage doesn't scare me and that, it's just once you've been together for so long, if you haven't got any kids it's just a big expensive day out for everyone else to enjoy, isn't it?
It's a big part of what we do - we test our movies extensively. I'm always there myself. It's sometimes difficult to sit through, especially if it's a version of the movie that's not working particularly well.
The most difficult part of making movies is to keep making them. Maybe, you could make the biggest hit in the world, but then the big problem is what to do next and how to maintain devoted to a certain instinct that I have about films.
I'm a big believer in creating parameters for creativity. I think parameters make people more creative. So that starts with my budgets. I only do low budget movies, and I think that makes the movies better.
I don't direct so that I can have an identity and so I can go on to CGI movies. I had a big identity as an actor, and that's not what I'm looking for from directing. Directing is a whole different goal.
I've done all kinds of movies, but I wanna do some more independent films that are not your run-of-the-mill type movies like 'American Splendor', which I had a big part in, that are really trying to do something unique.
I am a big fan of horror movies but I had never thought that I had wanted to act in one because I don't think that actors get to do much in them. They're usually just reacting.
My entertainment was going to the local dollar movie theatre on the weekend, where I watched old black and white movies. If you wanted current movies, you had to drive to the big city.
I want to make all kinds of movies. I do want to make big movies that are a lot of fun to go to, but I also want to make movies that are going to stimulate some thought and maybe raise some awareness.
Being sensitive to the problem of women is just another symptom of the quality of movies: I don't think you can do anything that's very sensitive. Everything's sort of broad strokes and big gestures - adventure things that boys, guys want to see.
Elaine Dickinson: You got a letter from headquarters this morning. Ted Striker: What is it? Elaine Dickinson: It's a big building where generals meet, but that's not important.
Rex Kramer: All right, I'll need three men up at the tower. You, Neubauer. You, Macias. Johnny: Me, John, big tree!
Will Bloom: A man tells his stories so many times that he becomes the stories. They live on after him, and in that way he becomes immortal.
Young Ed Bloom: It was that night I discovered that most things you consider evil or wicked are simply lonely, and lacking in the social niceties.
[first lines] Young Ed Bloom: There are some fish that cannot be caught. It's not that they are faster or stronger than other fish, they're just touched by something extra.
Will Bloom: Everybody's there, and I mean everybody. And the strange thing is, there's not a sad face to be found, everyone's just so happy to see you.
Sandra Bloom: You don't even know me. Young Ed Bloom: I have the rest of my life to find out.
Senior Ed Bloom: Most men, they'll tell you a story straight through. It won't be complicated, but it won't be interesting either.
Senior Ed Bloom: I've been nothin' but myself since the day I was born, and if you can't see that it's your failin', not mine.
Young Ed Bloom: Sandra Templeton, I love you and I WILL marry you.
Senior Ed Bloom: [quoting his mother] "The milkman just dropped dead on the porch." Because see, my mother was banging the milkman.
