But most distinctly, I remember always saying to myself that when I get big, I'm not going to go to bed hungry, I'm not going to wear hand-me-down clothes.
There's such a big buzz around boxing at the moment. Everything's happening and there's so much building up with a lot of young talent coming through.
I think it's a really big deal to be able to meet people outside the context of something like a conference room or someplace where everything feels like it's formal talk.
I have never played a game for the national title. Our goals always have been to win the Big Ten title and the Rose Bowl. If we do that, then we consider it a successful season.
Rock and roll and swing never quite mixed. Rock and roll came in and just blew everything out of the water. Big bands were dead.
When I first started in rock, I had a big guy's audience for my early records. I had a very straight image, particularly through the mid '80s.
Of course, we wore silly outfits, the pictures were corny, and some people still focus on that. But ABBA wasn't a big intellectual thing. We were a pop group.
As more speed afoot was constantly demanded for big league ball, I noticed the many infield bounders which the runner beat to first only by the thinnest fractions of a second.
I enjoy coming to Scotland, and my favourite memory has to be my first Open at Carnoustie. Coming over from a small town and playing in something so big to golf and y'all.
The journey toward your Big Dream changes you. In fact, the journey itself is what prepares you to succeed at what you were born to do.
I'd like to be the role model to teach other people who have Down's syndrome to be actors and actresses and to be themselves and not try to be a big shot.
A definite highlight was doing 'The Brothers McMullen.' Shooting that movie was such a joy - and then we wound up winning the Sundance Film Festival. That big-break moment is visceral. It happens once in a decade, maybe once in a lifetime.
Leaving the house is a big enough occasion for me, so getting on a plane and flying across the world and playing to a room full of people is just out of this world.
I've never felt terribly attached to acting because I always feel like the world is really big and really interesting, and there are a lot of places that I can put my energy and be fulfilled.
I wasn't a big science-fiction fan growing up. But I loved Jules Verne and Sherlock Holmes. Both came into play on 'The X-Files.'
The secret of big and revolutionary actions also consists in discovering the tiny step that is simultaneously a strategic step, insofar as it entails additional steps in the direction of a better reality.
There was a big difference between Ron Paul and me when it came to the 'no.' His 'no' was philosophical. It was reasoned. It was right. My 'no' actually put a stop to legislation. It cut spending. Mine carried further than just no.
But here, two thousand miles from home, there was a real shipwreck, a real hope. A choice big enough to change our lives forever.
I keep thinking someone's gonna show up and say, 'There's been a big mistake. The guy next door is supposed to be drawing the cartoon. Here's your shovel.'
Our approach was very simple. It was about creating a universal language. A show that will be attractive toward every people coming from all over the world. And that was a big thing.
This is a group effort. This is group theatre. This is no big star turn. You could do things with it to do that but it would just be out of kilter. This is one reason I like this play. This is a unit.
