Whether that's an action film or a comedy or a drama or anything in between, I'm willing to prove that I can play with the big boys.
Here is little habit that can make a big difference. Send sunbeams. Intentionally send a word of encouragement or appreciation every day to one person.
In a crime novel, if you are going to have a big revelation in chapter 30, you have to plant the information in chapters three and 11.
I like to save people, to take care of them... So, the pattern is that I date guys before they become big, and then they become successful and - whoops - there goes my project!
I've learned to let my characters speak and act the way they want to! I've tried to interfere but they just get angry at me and throw big rocks.
I've had projects before where everyone says 'This is going to be the big thing,' and it doesn't really turn out to be. Then there is a little project you do and forget about, and then it comes out, and it's huge.
You don't service a big, fun premise comedy and then shoot yourself in the foot with too much irony. You need the audience to invest in the fun and the warmth and generally care about the characters.
I deliberately, in a way, went for something that was a huge challenge and was a big period film. I was excited about the canvas on which I could tell the story as much as the story itself.
Listen, you make a big movie, you're going into the Coliseum, and people are going to give you the thumbs up or the thumbs down. And that's part of the game. It's part of the fun as well.
There are big lines between those who play video games and those who do not. For those who don't, video games are irrelevant. They think all video games must be too difficult.
I try to use my debit card rather than a credit card, but I will use a credit card for big purchases because I bank with Coutts and I get points.
Sticking to my schedule, I've gotten over seven months ahead, which allowed me to write a 'Pearls Before Swine' movie script for the big screen.
I don't pay that much attention to sales figures or awards. To me, the big question is: 'Did you influence the next generation?' That's my goal.
I've been in international competition, and now I know what the big boys can do. You don't go out and just run. There's an offense and a defense.
Seriously, when you see a new book fresh on the stand and in big letters it says “A Million Copies Sold,” did you ever wonder who bought them?
I believe in operating in the big middle of the electorate and not being to the far right or the far left. I think you get so much more done.
Whenever you're feeling grateful, you are not feeling frustrated and angry and all those negative states that we go into. And that's a big benefit in and of itself.
Daniel, my big brother, is eight years older. I'm lucky he didn't mind hanging out with his little sister and my younger brother.
Probably the most difficult things were my favorite parts. The make-up and the big fight sequence at the end of the movie were very difficult but really fun and challenging.
I felt New York was a big, more stylish, more metropolitan Golders Green. I was thrilled.
The similarity between the big directors I've worked with is that they allow the writer to find a way of doing what they want done without saying 'do it this way.' They describe what they want, then letting the writer figure out a way to do it.
