It's an established fact. Some women can't stand being pregnant, getting big and bloated, and hauling around a giant stomach, and some women, for reasons probably understood by Darwin, love it.
There are definitely times where I am listening to the radio, and I think, 'That would be awesome. I would love to sing that.' It's this weird karaoke fantasy that I might someday get to live out on the big screen.
Holland was one of the first countries to adopt dance music into their culture, and we were the first ones to have really big raves. I grew up in that atmosphere in the early 1990s, and I was very interested in how dance music was made.
I think the next big thing in music, and it's kind of because I come from the tech industry, is actually, I think it's the platform... Spotify is incredibly interesting. I think the platform is becoming the star.
I didn't want to be told what to do. I don't want to water down my music to fit into their formats. I know what rock and roll is to me, but everything's turning into one big commercial.
I go to see some big shows of other bands, and I feel like I'm so bombarded and over-stimulated that I lose interest in the music. There has to be light and shade, and less stimulating moments. There has to be an arc to the show.
I'm not a big equipment guy; I think that people are a little bit shocked by that. I really don't care about gear in general. I care about people and their intentions to make music - it doesn't matter what equipment you have.
I remember hearing Sonny Terry and Brownie McGhee, Big Bill Broonzy, Chuck Berry and Bo Diddley and not really knowing anything about the geography or the culture of the music. But for some reason it did something to me - it resonated.
The 1960s were big for folk music, and the Kingston Trio led the way. They were the ones who started it all. The music was fresh and alive. College kids loved it and their parents did, too.
From early on, when synthesizers were first introduced into music, I liked the idea that you could get a big sound with them, electronic, but like an orchestra. And I could play it all myself. That was exciting.
During 'Idol,' I wasn't expecting anything. I just wanted to survive the competition, but my album and my music are a big part of who I am. Hopefully it translates well and I keep growing as an artist.
I've always been a big advocate of making shows affordable because a lot of these bottle-service clubs and events are geared toward really expensive experiences. Club music is for everyone, and it drives me crazy that people are getting priced out.
My cousin was Ron O'Neal, who was 'Superfly.' Films like 'Shaft' and 'Superfly' were the biggest things out there in the early '70s. It's hard to remember just how big they were - how much impact they had on the culture, the music, the fashions, the ...
With pop music and pop musicians, you know everything about everyone all the time, particularly their physical appearance. With female musicians, that's made a big thing of, and I think people, certainly with me, have appreciated a bit of mystery.
Musically, New York is a big influence on me. Walk down the street for five minutes and you'll hear homeless punk rockers, people playing Caribbean music and reggae, sacred Islamic music and Latino music, so many different types of music.
I have created hours upon hours of different music over the years that the general public has never heard. Maybe one day I'll release them all in one big package, but we'll see.
I'm a big fan of gospel music, and you cannot be a fan of rock and roll, you cannot be a fan of country western music, and you can't really be a fan of jazz without listening to a lot of music that's religious.
I like listening to old soul music. I like Sam Cooke. When I was growing up, the first things I was listening to was Whitney Houston and Cher. They were really big inspirations for me.
For me, when I grew up playing music, I played music in church and people were shouting and having a big time, and church wasn't something where it was subdued. If you played something, you brought it to church with you.
My mother told me when I was a toddler and in the crib that they would have music playing, and the thing when I lit up was boogie-woogie or something out of the Louie Jordan period of sometimes big bands, and then all kinds of things.
With a lot of action scores, you're competing with a lot of noise. Say there's a big explosion: the music would conventionally have a lot of Hollywood-style percussion or brass, because that's the only thing that will cut through.
