Boss Spearman: It ain't right to walk away without a word. Charley Waite: Well what do you want me to tell her, Boss? We probably ain't gonna make it? Be a big fat comfort.
Jack Barry: [prepping for the show] My light okay? My nose doesn't look big? Stage worker: You look great Jack. Jack Barry: Last week I looked like a sun dial.
Indiana: There's a big snake in the plane, Jock! Jock: Oh, that's just my pet snake Reggie. Indiana: I hate snakes, Jock! I hate 'em! Jock: Come on! Show a little backbone, will ya!
Mr. Blonde: Boy that was really exciting. I bet you're a big Lee Marvin fan aren't ya. Yeah me too. I love that guy. My heart's beatin' so fast I'm about to have a heart attack.
Herman Blume: Why did you ask me to come here? Max Fischer: Oh, I was going to drop that tree on you. Herman Blume: That big one? Max Fischer: Yeah. Herman Blume: It would've flattened me like a pancake.
Max Von Mayerling: You see those offices up there? That was Madame's dressing room, the whole row. Joe Gillis: Didn't leave much for Wallace Reid. Max Von Mayerling: Oh, he had a big bungalow on wheels.
General "Buck" Turgidson: Sir, you can't let him in here. He'll see everything. He'll see the big board!
Captain Miller: Back home, when I'd tell people what I do for a living, they'd think, "Well, yeah, that figures." But over here, it's a... a big mystery. So I guess I've changed some.
Doc Holliday: You must be Ringo. [to Big Nose Kate] Doc Holliday: Look, darlin', it's Johnny Ringo. Deadliest pistoleer since Wild Bill, they say. What do you think, darlin', should I hate him?
Woody: Tuesday night's plastic corrosion awareness meeting, was I think, a big success. We'd like to thank Mr. Spell for putting that on for us. Thank you Mr. Spell. Mr. Spell: [mechanically] You're. Welcome.
Michael Dorsey: You know, I could lay a big line on you and we could do a lot of role-playing, but the simple truth is, is that I find you very interesting and I'd really like to make love to you.
Gilbert: I know a boy whose name is Arnie... he's, uh, 'bout to turn 18 and have a big party. I know a boy whose name is Arnie. C'mon down, buddy.
[from trailer] Vanellope von Schweetz: What's your name? Wreck-It Ralph: Ralph, Wreck-It Ralph. Vanellope von Schweetz: Why are your hands so freakishly big? Wreck-It Ralph: I don't know. Why are you so freakishly annoying?
I want to get involved in causes I believe in, and I know so many others that want to also get involved, but it's hard to know how. Often, it's through big organisations, and you don't know exactly where your money is going or what effect you are hav...
Every time I am tempted to buy some dopey thing, I hear my late father's voice: 'Do you really need that?' He was big on saving money and buying as much security as possible. He also encouraged charitable giving. So, I am responsible with currency.
You know, in the old days, you might be able to slowly sort of build an audience for your work by publishing two, three novels before you hit it big. You know, now, there's much more of an emphasis in the publishing houses on making sure that every b...
Statistically, I'd say comedy writers are perhaps the sanest category of show people. And why not? They make big money, and although it's not an easy trade - particularly when you're at your galley oar five days a week - it's easier on the nerves and...
Right now I'm so old that if I had a big gush of money, I don't know what I'd do with it. I don't travel anymore. I don't need anything, don't want anything. I'd give it to my son, I guess, and let him enjoy it.
The big advantage that we have as a venture capital firm over a hedge fund or a mutual fund is we have a 13-year lockup on our money. And so enterprise can go in and out of fashion four different times, and we can go and invest in one of these compan...
I had a Ford F-250. It was a big ol' farm truck, but it wasn't a rig. That's about the biggest I've ever driven. That's what I drove back and forth to high school. I was a poor guy, and it was a truck that my uncle owned and let me drive because I ha...
I'm willing to give up a little control but not a lot. So I say I want the money, but when push comes to shove, I'm not sure I'll be able to compromise in order to make the big studio movie. Maybe something in between would be okay, like a low-budget...
