Sometimes I like them artificial and sometimes I like them real. And the reason is because sometimes I like a real close sound. And I like a very specific snare sound and I can't get that in the big room.
I'm often given parts that aren't as big as they are colorful, but people remember them. When it's a minor or supporting role, you learn to make the most of what you're given. I can make two lines seem like 'Hamlet'.
I've been really upset sometimes when I've been misquoted. And it's the one thing they use in big print. Or it's taken out of context. Thoughts are fluid and words are sticky. That's the thing.
I can make everything I do come from my laptop. Even when I go to a big studio, all I do is to plug in my laptops. That's they way I do it.
When I was 17, I studied at RADA in London for the summer. I wanted to live abroad and to pursue drama, so it seemed like the perfect opportunity. I thought I may as well throw myself in at the deep end. My first big role is in 'Starlet.'
I'm a New Yorker now, and believe me, there's no comparison between the Big Apple and Kalamazoo, no similarity at all. New York City's hectic, always in fast-forward, and Kalamazoo's more laid-back, smaller, slower.
The first movie I saw where it convinced me I could be an actor was 'Mean Streets,' so whenever I see Robert De Niro and he says, 'Hi, Denis,' it's still a really big deal.
We've never played at this place before. This place is big, and I'm kinda nervous, so we're going to make it feel small by pretending we're in a... bedroom. We'll hang off the edge of the bed, take off our shoes and get naked!
What is the big political issue for Britain at the moment? Without wishing to sound portentous, it is about whether we can build a social democratic settlement, whether we can lay the political and cultural foundations for the next several years.
I was never a big guy in pubs. I was never the main kind of aggressor or anything like that, but I found myself in trouble because I always had a mouth that would come back with something, and there was just never anyone who could make me be quiet.
Adult actors are really childish, and that's nice to be around when you're a kid. So the big reason I wanted to be an actor was I really enjoyed actors' company - which probably makes me about as shallow as a puddle. But it could be worse. I could be...
I've always wanted to do theater in Chicago. Chicago is a big theater town-and, in some ways, I think this city is savvier and smarter than New York. Sometimes, I think it's a little too chic to go to theater in New York these days.
Manhattan's always fascinating, too, just a big, stinky, smelly conglomeration of numbered avenues and streets, but it's just got a vibe that's hard to beat. I shouldn't like it, but I do. I can't put my finger on it.
I'm a theater guy and a filmmaker. So when my community was thrown up in the air by the gas industry, the way I could contribute was to do something in the film world. I never thought it would be a big deal at all.
I think what we all have to do is make this big leap towards renewables. And it has to be a solution where you're actually building the answer; and it has to be built faster than the natural gas industry can build their answer.
In the original 'Guild Wars,' one of the big conflicts was the humans versus the charr. The humans and charr are both playable races in 'Guild Wars 2,' and they are on the same side, more or less. They don't hate each other.
I don't think we should see the world of books as fundamentally separate from the world of the Internet. Yes, the Internet contains a lot of videos of squirrels riding skateboards, but it can also be a place that facilitates big conversations about b...
I would definitely say that I am a very big movie musical fan in general, and I try to see every one that I possibly can - and 'Glee' every week.
I was on 'Desperate Housewives' and that was my crash course on being on national television topless. Also, I do what I can in between scenes: push-ups, a little free weights. I knew going in it would be a big part of the show.
The problem with the Moodies is not what to play, it's what to leave out! That's always difficult. We stopped having support acts many years ago just because of that. We needed getting on to two hours; there's such a big catalog to call on.
We're all innately creative; I'm not bringing anything magical to it. Ninety percent of inventing is putting in the hours and just trying. You don't need to make a big leap—you - need to take a thousand small steps.
