You can't really class all reality shows together. For instance, 'Top Chef' is about talent and competition. 'Big Brother' is more like what happens when you get all those narcissistic personalities crammed in together... and there are limits to that...
I think the big mistake in schools is trying to teach children anything, and by using fear as the basic motivation. Fear of getting failing grades, fear of not staying with your class, etc. Interest can produce learning on a scale compared to fear as...
Frequently I get asked if I'd rather have spent my career in a big city like New York or Los Angeles, where the exposure would be greater than in Seattle. My answer is no, not at all. Exposure is not important to me.
I've always had this nightmare of going back to the Kingdome and seeing myself waddle in bald, overweight, with a big belly hanging over my belt, and I just imagine people going, 'That's Steve Largent?'
My explosiveness, I really couldn't show it at UCLA. It's still there. It's always been there. It was not a lot of running. It was a half-court game. Coach Howland came from the Big East, and so you know that's a grind out game.
There's a phrase in Shakespeare: he refers to it as the 'hidden imposthume', and this idea of a hidden swelling is seminal to cancer. But even in more contemporary writing it's called 'the big C'.
Cancer has enormous diversity and behaves differently: it's highly mutable, the evolutionary principles are very complicated and often its capacity to be constantly mystifying comes as a big challenge.
As far as expense, I think if 'Twilight' does well enough, then we should be able to do the big expensive stuff for the sequels. I mean, we have to have werewolves, there's no way around it. They have to be there.
This league is getting big. We have way more 300-pound guys than ever before. That's not to say all the people in athletics who have died are 300-pound guys. There are so many different reasons.
The universe is big, its vast and complicated, and ridiculous. And sometimes, very rarely, impossible things just happen and we call them miracles. And that's the theory. Nine hundred years, never seen one yet, but this would do me.
For all my friends in the media who like quotes, mark this quote down. From this day on I'd like to be known as 'The Big Aristotle' because Aristotle once said, 'Excellence is not a singular act; it's a habit. You are what you repeatedly do.'
But that is the only thing that slows me down is the system. No one, two or three was big enough to slow me down, only the system. It was the system that slowed me down to make my numbers fall. Not because I am older.
You have to teach 'em not to mess with you. You gotta be the big guy don't let him hurt you. If he hits you stand back up and beat the shit out of him.
I am a big outliner. For my adult book, 'The Visibles,' I did not outline, and it took me two years to write because I just didn't outline, and I had no path.
Scientists - who prefer explanations subject to laboratory tests - figure that everything we see today was as inevitable as wrinkles, once the Big Bang established physics. Stars and planets were cooked up as huge clouds of matter collapsed and coale...
Of course, Sol is a big ball of hot gas, but one that - thanks to its endlessly boiling innards - shakes and vibrates. By studying patterns on the Sun's surface, astronomers can learn much about Sol's internal construction.
Here's a news flash: scientists can be wrong. That's no big deal (unless the scientist is you), since research is self-correcting. Consequently, most errors by scientists become historical curiosities, with little long-term importance.
It's easy to reckon that the oomph to hurl even a Smart Car-size spacecraft to another star at, say, 20 percent the speed of light (and land it when it arrives) is the energy contained in 50 billion gallons of gasoline. The tank's not big enough.
When you're a regular gal, you look in the rearview mirror, and in the bright daylight you see that line around your mouth, but when you're an actress and you see that line up on the big screen, it's, like, seven feet long.
While many of my musicals deal with big themes and ideas, I don't intentionally go looking to write shows like that. A story will interest me, and then somewhere along the way, I discover that hidden inside are these epic themes.
You know, as long as you do everything in moderation, you don't go overboard, you don't, you know, turn your lips into guppy lips - I mean, a little zip or a little zap, that is not a big deal.
