I don't play big stadium-style dance, but I have discovered, to my delight, that the appetite for real low slung deep house is very much alive.
Einstein's theory of relativity does a fantastic job for explaining big things. Quantum mechanics is fantastic for the other end of the spectrum - for small things.
The thing about New York is it's like London: you want to go to the boutique places. You can go to the big department stores - Barney's, Bloomingdales and all that stuff - but I like the little stores.
Big companies have trouble with innovation. Innovation is about bad ideas, or ideas that look like bad ideas. That's the fundamental thing.
It occurred to me in my junior year of high school. I got my first letter from a big college. I still have that letter to this day - a letter from Indiana.
Diana Ross is a big inspiration to all of us. We all grew up watching everything about her - her mike placement, her grace, her style and her class.
When I was growing up you would see big American films that really mythologised their landscape, that really showed the vastness and the drama of their country.
Well, I've been a big fan of comic books since I was a little kid. In fact, I used to write and draw my own comic books when I was on the old Lost in Space series.
However, we couldn't focus on the films much during the series because we're dumb. Individually we're smart guys, but together we're one big dumb guy, and couldn't concentrate on two things at once.
As a kid at the World's Fair in 1965, I missed seeing the big global population clock roll over from 2,999,999,999 to 3 billion - I was really disappointed.
My parents are divorced, and seeing that was really painful for me. Really painful for me. But that's also a big part of why I'm intrigued by the dynamics between people - because I was close to something that fell apart.
Once I'm given an idea for a story I have a million ideas on how it should be illustrated, but I don't have a big shoebox full of unfinished ideas.
Even though we're not the most punk rock band, the way we've done things is pretty punk rock. Just kinda say it with a big middle finger to the record labels and do it ourselves.
Hey, I think it's easy for guys to hit .300 and stay in the big leagues. Hit .200 and try to stick around as long as I did; I think it's a much greater accomplishment. That's hard.
I did have a big following in the upper New York area. I was at the New York State Fair a few times over the years. I have areas that I say are my areas.
When I owned the theater, I had the Glen Miller Orchestra. I had 20 girls singing and dancing. I had a cast of characters. It was a big group production, as well as ushers, ticket takers.
Today, you're either very big or you're playing stadiums or you're not playing anymore. You're either popular where everybody will go to a 20,000 seat arena to see you or they won't go to see you at all.
There’s a big difference, I discovered, between wanting to die and not wanting to live. When you want to die, you at least have a goal. When you don’t want to live, you’re really just empty.
The Texas thing is such a big deal because whenever I see Texas in a TV show, they always show slow-moving cattle and cowboys with the hats. I wanted to show that Texas isn't a stereotype.
I'm used to people not paying me a whole lot of attention and underestimating me and, frankly, for me a big challenge is to have people believe that I can be the president of the United States.
I absolutely believe in assimilation. I don't believe I'm any different from straight people. My wants and needs are the same as theirs. I don't look at sexual orientation as that big of a deal. It's just an orientation.
