Geez, I wish I could tell you I had a whole bunch of '80s hair bands, you know something you really wouldn't expect, but I don't know that the music police would be that surprised, because most of the stuff that I am influenced by is in evidence in t...
For me, it's always this constant battle and search when I'm out on stage as to where and when do I really open myself up to the people that are there. How do I let myself feel present in the space, and how do I allow myself to get into the music and...
But I also enjoy music outside the band. I've been doing production for other people, including Robert Wyatt. Check him out. The album we did together, 'Rock Bottom,' I think it's really lasted well. It's a 35-year-old album, but it worked.
Ever since I was a kid, I always wanted to play music that I liked, and even when I was in cover bands when I was a teenager we only played cover tunes that we liked. That was the simple morality that I grew up with.
I wasn't necessarily frustrated in Fall Out Boy, but there were things that didn't get satisfied, desires left wanting. We didn't all meet on the same kind of music. When bands break up, there are all these buzz words that get tossed around to mainta...
It's an often-asked question, 'Why did all these spotty white English boys suddenly start playing blues in the '60s?' It was recognized as this kind of vibrant music and when I first started playing in a blues band I just wanted to bring it to a wide...
What we're doing with Band of Brothers is trying to put it into human terms, so it is not just a flickering, black and white myth on a screen, it is a resonant story. I want the audience to recognize themselves in these men. They're not just mythic h...
Paul Rivers: I can't keep going like this. The insemination, the child. It's like we're trying to put a Band-Aid on something that's just been bled dry.
Narrator: The quote in Summer Finns Yearbook was a line from one her favorite bands, Belle and Sebastian. It reads "Color my life with the chaos of trouble."
I was a Green Day guy because the first DVD I bought was Green Day's 'Bullet In A Bible,' the live album. That really empowered me to be not just a drummer but a performer. It's a really crucial part of why I wanted to be in a band.
I never want to be in that stage where a band ends up playing state fairs and casinos. I am not willing to go out shooting up Botox and eating corn dogs while judging pig contests.
I'm a bit multifaceted in the sense that I've got many more than one musical taste. If you think about it, I started out playing in a punk band and ended up doing electro-pop. That was more an accident than a plan.
I used to produce this band, Dragons of Zynth. There's something about their live shows, which, to me, is ultimate. I mean, you feel like somebody could get hurt when you go see them live.
I kind of remember a friend of mine saying, like, you guys should make a rap record. You know, because we were already making punk records. We were a punk band. And I kind of thought, that's crazy.
A lot of times you'll hear bands and it's a different sound coming out than what's on stage. Because you can clean it up through a PA and make it sound completely different than what they really sound like.
I have way too shady a background to get into politics. I was a crazy kid - I was in bands, and I don't think I'd get very far before people started digging up stuff I didn't want them to see.
We're trying to have the band create something beautiful that hopefully one day, 20 years from now, can be picked up by a kid and hopefully have the same effect that Neil Young had on me, or Led Zeppelin or Black Sabbath.
When I came out of the military, I had a club in Memphis and I started using the The Bar Kays as my club band. They were still only in the middle school - but I'd take them on the road with me on the weekends, sometimes.
All of the punk-rock bands of the era would come in and play, and my job on Punk Rock Night was that I would go into the slam pit, and... I was 24 or 25, and I'd slam dance in the pit.
I stay away from straight bench; all the work I do is with dumbbells to protect my rotator cuffs. Then I'll do a bunch of different pull moves like inverted rows before finishing with some simple internal or external rotations with a band to strength...
My office doubles as a karaoke den for the neighborhood. There are strobe lights and Rock Band plastic guitars, a disco ball and a fog machine and some other things. I have a really long work day, and you might find me doing karaoke by myself late at...
