I do not paint a portrait to look like the subject, rather does the person grow to look like his portrait.
I'm really looking forward to developing just really fun, complex, interesting stories about people who happen to be black.
Everybody has forgotten about showmanship. People don't look like rock stars any more. They just look like regular dudes off the street.
Hiroshima does not look like a bombed city. It looks as if a monster steamroller had passed over it and squashed it out of existence.
I like pigs. Dogs look up to us. Cats look down on us. Pigs treat us as equals.
I guess they often cast me as the bad guy, because I'm not, er, conventional looking. I look sort of violent. I'm the odd one out, the outsider.
I don't look like Halle Berry. But chances are she's going to end up looking like me.
I will always be looking back at the things I've gone through, thinking of the struggling people I've seen.
Children wish fathers looked but with their eyes; fathers that children with their judgment looked; and either may be wrong.
This isn't the end, and a beginning looks different. This is the moment in between, when everything still looks possible.
I just find that there's something about looking back on interviews, whether for purposes of remembering what I said about something or if it's for posterity when I'm 75.
Even if a minefield or the abyss should lie before me, I will march straight ahead without looking back.
Here's the point - you're looking at affirmative action, and you're looking at marijuana. You legalize marijuana, no need for quotas, because really, who's gonna wanna work?
We cannot look backwards. What we have to do is raise our heads, look forward, roll up our sleeves and work.
We must be very careful when we say that somebody giving you compliments about your looks should be offensive. I think women really should look at why they're being offended by that.
When I do get pregnant, I highly doubt I'll be one of those women who don't look pregnant from behind - I'll be that chick who looks pregnant from her ankles up!
They think something's gone wrong, but in Don't Look Now, for instance, one scene was made by a mistake. It's the scene where Donald Sutherland goes to look for the policeman who's investigating the two women.
I learned to draw everything except glamorous women. No matter how much I tried to make them look sexy, they always ended up looking silly... or like somebody's mother.
In the fall of 1968, I became attractive to women. One day I was an ignored schlub in the street, then suddenly all these good-looking women were interested in me.
There's a certain way people are used to seeing nude women, and that's in a submissive, coy pose, not looking at the camera. And in this poster, I'm looking dead into the camera with no expression on my face. I think it freaks a lot of people out.
I think that women can tend to look so feminine so easily. So it's interesting to see how we can look masculine and strong, too.