When I travel round the country, people can't place my accent; if there's someone in the audience, they'll be like, 'You're from Philadelphia', but everyone else will say, 'Where are you from, California?' I get England sometimes - bizarre!
When you're young you don't know anything, but you have lot of energy to express yourself. So you make a lot of mistakes and you stumble, but you also get a lot of truth from within.
I am furious at the way that we have allowed money to subvert our democracy. I am appalled at the way that the U.S., a very wealthy nation, permits and even encourages a level of poverty that other wealthy nations would not even consider.
For me, comedy is constantly presented as this fake casualness, like a guy just walked on stage going, 'This crazy thing happened to me the other day.' And he's in front of 3000 people, and he's acting like an everyman, and he's getting paid so much ...
When I was writing 'Withnail,' I was so busted flat that I had one lightbulb that I would carry around the house with me. I mean, really. No furniture, no money, and I was hoping to be an actor, but I could never get a job.
I remember an article, I can't recall who by, it was after the fall of the Berlin Wall, which said that now the Wall was down, there could be no more class war. Only someone with money could ever say such a thing.
There's one thing which I hate about color films... people who use up a lot of their despairing producer's money by working in the laboratory to bring out the dominant hues, or to make color films where there isn't any color.
But with my last film, Spider it was agony. The money was always disappearing, nobody got paid, it was very difficult - and it's very distracting from the process of making the movie, of course. So I think things have been getting harder and harder.
In the '80s, I can't say that Amy and I were aware of an independent film community. We could only get a certain amount of money for our pictures, which made them low budget movies, but they were distributed through studios.
And I like being able to go back and forth, and I don't really care if it's a small budget or big budget or studio or independent, as long as it's got a story that's compelling and there's enough money to make the picture.
I have a personal prosperity plan. I know where my money goes, and how I can spend it more fruitfully. A prosperity plan is something fluid that may alter month to month.
Why do I have an issue with banks? They have their greedy fingers in everyone's money. No other industry has the power to deduct a bill or fees directly from your own bank account without so much as a notice.
After I got this job at the syndicate, I started sending them money so they could go on trips and do the things they could never afford to do. All the while, I never knew that my mother was socking money away.
For the most part, studio movies have huge budgets. They don't do anything under 30 to 40 million. When you have that much money at stake, you have so many people breathing down your neck.
But I can tell you that the issue, on one side, boils down to money - a lot of money. And it boils down to people and their connections with this money, and that's the portion that, even with this book, has not been mentioned to this day.
Law students have taken over Hollywood. To them it's all about making money. They know people want to see what they've seen before. Also, remakes are places to showcase the new stars of tomorrow.
'American Playhouse' is very supportive of writers. That's really why writers like to write for 'American Playhouse' for very little money. They care about making your play, your script, not some network production. We're treated like playwrights, no...
My grandmother was the daughter of pioneers, as was my grandfather, and they were farmers. And they worked the land, and there is a grounded value system that becomes inherent in knowing what's real and what's powerful. And understanding the material...
'Lost' is driving toward an ending, and that ending is: Are these people getting off this island? What is the nature of this island? What is going to happen to them? What is their ultimate fate? What is their ultimate destiny? Those questions need to...
In interior decorating, the pig's actually quite there. It's used in paint for the texture, but also for the glossiness. In sandpaper, bone glue is actually the glue between the sand and the paper. And then in paintbrushes, hairs are used because, ap...
This bored fantastic woman, with her animal nature, giving herself the pleasure of seeing her enemy struck down, not a particularly keen one for her because she is so weary of having all her desires satisfied.
