On a daily basis, you're working with Steve Carell; you're not working with Ricky Gervais. You try a line, and you can't be writing for David Brent. You have to be writing for Michael Scott because Steve is Michael Scott.
It happened to me on 'King of the Hill,' where I'd left it before the end and didn't really participate in the ending, and I always felt a little bit like I wanted to try a different version of that story.
There are Michael Scott moments, which are character choices, but there are also Steve's reads. Usually the things that I'm the biggest fan of are these weird reads that he does - just the way he's interacting with other people.
I had a couple of million dollars' worth of... stock once. And now it's not worth much more than wallpaper. I guess I just wasn't born to be rich.
It's hardly even noticeable that so many artists, designers and architects live here. It isn't reflected in the cityscape or in the museums. Many of the artists, for example, exhibit around the world, just not in Berlin.
All day long, I'm creative, and the second I get a little tired of any given medium, I just shut that area down and go to the next room. I just go do something else.
I think, as a woman, you have to really make sure that you're taking care of yourself and make sure that you're covered and you have enough material written for you.
I worked three and then six hours a day in my studio with strict discipline and emotion. I obtained awards usually granted to other foreigners during the end-of-year admission tests.
First of all, I always see the sun! The way I want to identify myself and others is with halos here and there halos, movements of color. And that, I believe, is rhythm.
Of course the other and more serious way in which it all happens is that one finds in poems and language some quality one appropriates for oneself and wishes to reproduce.
One should indeed read Pope with his notes available, in the Twickenham edition possibly, to see what a vast amount he did understand about Homer.
That helped me to keep in touch with myself and to keep in touch with this really quite extraordinary language and literature into which I had pushed a little way.
The invention of Bob Dylan with his guitar belongs in its way to the same kind of tradition of something meant to be heard, as the songs of Homer.
Yes, and there were changes of light on landscapes and changes of direction of the wind and the force of the wind and weather. That whole scene is too important in Homer to neglect.
Is encouragement what the poet needs? Open question. Maybe he needs discouragement. In fact, quite a few of them need more discouragement, the most discouragement possible.
I had always done these 3D things that you could walk through. They were always done off the seat of my pants without blueprints or course.
I kind of do the drawing with the painting in mind, but it's very hard to guess at a size or a color and all the colors around it and what it will really look like.
Yeah, you know, you like it to come on like gangbusters, but you get into passages that are very interesting and subtle, and sometimes your original intent changes quite a bit.
To be a surrealist means barring from your mind all remembrance of what you have seen, and being always on the lookout for what has never been.
And after I started working for the Bureau, most of my translation duties included translations of documents and investigations that actually started way before 9/11.
However, I keep reminding them that this issue is not a new issue that has come out for this election. This issue has been in the courts for two years and two months now.