I come from Montana, and in eastern Montana we have a lot of dirt between light bulbs. It is expensive trying to bring the new technologies to smaller schools to upgrade their technologies to take advantage of distance learning.
Again, the American people expect us to do what they are doing. It's tightening the belt, it's learning how to do more with less. That's a reality today, and we've got to do that in order to get the private sector growing.
'Cars 2' is about a character learning to be himself. There's times in our lives where people always say, 'Well, you've gotta act differently. You should always be yourself.' That's the emotional core of the story.
I can't always be making 'British films.' Why should we be making films about corsets and horses and girls learning to drive when Americans send over an event movie and make five or 10 million?
I started doing comedy because that was the only stage that I could find. It was the pure idea of being on stage. That was the only thing that interested me, along with learning the craft and working, and just being in productions with people.
Audiences know exactly what's coming and they know from the beginning of the movie that everything's going to be OK and there will be high jinks that will get you from the beginning to the end, and eventually all the misunderstandings will be worked ...
In college, one of my favorite classes was a six-week class watching horror movies. 'The Bad Seed' was one of them and was the first time I had seen it, and I really fell in love with it.
I'm very comfortable in the air. And if you're really in love with flight, you're in love to a certain extent with being outside of the body, not grounded. The problem is, if you're not in your body, you can't actually feel anything particularly auth...
What television gets to do, and there's a reason why 'S.H.I.E.L.D.' works as well as it does, is that it deals with the relationships. It deals with the very small, interpersonal ways that people both love and hate each other.
As far as I'm concerned, and this is a big theme of mine, I'm not interested in white people loving me. It's an unrealistic expectation. Black people don't love anybody but themselves.
In Psycho IV, the time is five years after III, and Norman is out of the hospital. He's a married man, and he's finally learned how to love somebody and have natural sex without killing his lover.
I'm very Southern in the way I walk in the world. I love to laugh. I love to eat. I love to hug people. But if somebody makes me mad, my neck may roll. I can be aggressive with a Southern twang.
A common creation demands a common sacrifice, and perhaps not the least potent argument in favour of a constructed international language is the fact that it is equally foreign, or apparently so, to the traditions of all nationalities.
Impatience translates itself into a desire to have something immediate done about it all, and, as is generally the case with impatience, resolves itself in the easiest way that lies ready to hand.
So far as the advocates of a constructed international language are concerned, it is rather to be wondered at how much in common their proposals actually have, both in vocabulary and in general spirit of procedure.
I have no problem twisting the facts if it's the only way I can be true to the moment.
What I can't tell with a photo I will tell with a painting, and what I can't tell with a painting I will tell with a video or text sometimes, et cetera.
We've lost control of this planet somewhere. There's an echo in that kind of tornado situation, where you're powerless facing those phenomena.
In France, that let down the barriers more than a hundred years ago, the feeling of antipathy is still strong enough to sustain an anti-Jewish political party.
It is one of the aims of linguistics to define itself, to recognise what belongs within its domain. In those cases where it relies upon psychology, it will do so indirectly, remaining independent.
Linguistics will have to recognise laws operating universally in language, and in a strictly rational manner, separating general phenomena from those restricted to one branch of languages or another.
